What writers have said.

"The lighting, with its dominant grey tones, is always in context."

"Silence. A lone beam of light searches the stage of the Dampfzentrale, somewhere the leaves of a houseplant rustle. Figures duck, retreat, startle and vanish into the dark."

"Julien Brun's razor-sharp light baths are a marvellous dialogue with the powerful, physical dance. The baths of bold color are like chops in a frozen sea."

"The Sleeping Thousand leaves a powerful impression […] the characters seem to be evolving in an animated movie"

"The initial screen passes, thanks to Julien Brun, through all the nuances that separate shadow from light. […] It's all there in this Laterna Magica, all the more powerfully because we can hardly see it."

"The connection the director wants us to feel is conveyed first through the stage, its set and its atmosphere. All three are dreamlike without falling into excess or minimalism. The seating at the same level as the dancers' floor insists from the outset that this show won't happen without us."

"According to the lighting design by the talented Julien Brun, who also designed the set, these cork walls change face."

"An Enemy of the People is a gem of writing by Henrik Ibsen. Eric Devanthéry's direction, its biting humor throughout, Julien Brun's set design and the performers' work serve this brilliant text to deliver one of the most striking shows I've ever seen. Simply staggering."

"There's THE set. An impressive scenography where regular downpours flood dozens of cardboard boxes on the floor. […] The viewer feels in his bones the often revolting and unequal side of social debate."