[{"data":1,"prerenderedAt":4777},["ShallowReactive",2],{"portfolio-data":3},{"projects":4,"images":2067,"contentBlocks":4525,"collaborators":4566,"pressClippings":4749},[5,40,63,95,140,177,202,225,257,283,311,344,374,405,438,465,494,518,556,584,620,655,682,709,737,762,786,807,828,846,868,890,912,934,955,974,994,1013,1035,1055,1076,1098,1120,1142,1164,1186,1208,1230,1248,1264,1286,1305,1325,1341,1363,1385,1407,1429,1451,1470,1486,1508,1529,1548,1569,1588,1606,1625,1644,1663,1685,1707,1726,1745,1764,1786,1819,1842,1875,1896,1925,1953,1991,2036],{"id":6,"name":7,"description":11,"role":15,"direction":19,"caption":23,"cast":25,"pressClippings":38,"hyperlinks":39},"robert-le-diable",{"fr":8,"en":9,"de":10},"Robert le Diable","Robert The Devil","Robert der Teufel",{"fr":12,"en":13,"de":14},"Chef-d'œuvre romantique de Meyerbeer dans la tradition du Grand Opéra à la française, succès considérable lors de sa création en 1831 à l'Opéra de Paris. Cinq actes, une distribution exceptionnelle menée par le ténor américain John Osborn dans le rôle-titre. Marc Minkowski dirige l'Orchestre National Bordeaux Aquitaine. Une scène scandaleuse de nonnes dansant lors d'une nuit de sabbat avait assuré le triomphe de l'ouvrage.","Meyerbeer's romantic masterpiece in the Grand Opéra tradition, an enormous success at its 1831 Paris premiere. Five acts, an exceptional cast led by American tenor John Osborn as Robert. Marc Minkowski conducts the Orchestre National Bordeaux Aquitaine. A scandalous scene of nuns dancing during a sabbath night ensured the work's original triumph.","Meyerbeers romantisches Meisterwerk in der Tradition der Grand Opéra, ein enormer Erfolg bei der Pariser Uraufführung 1831. Fünf Akte, eine außergewöhnliche Besetzung angeführt vom amerikanischen Tenor John Osborn als Robert. Marc Minkowski dirigiert das Orchestre National Bordeaux Aquitaine. Eine skandalöse Szene tanzender Nonnen während einer Sabbatnacht sicherte dem Werk seinen ursprünglichen Triumph.",{"fr":16,"en":17,"de":18},"Lumières et installation","Lighting & Installation","Licht & Installation",{"fr":20,"en":21,"de":22},"Direction musicale : Marc Minkowski. Mise en espace : Luc Birraux","Musical direction: Marc Minkowski. Staging: Luc Birraux","Musikalische Leitung: Marc Minkowski. Inszenierung: Luc Birraux",{"fr":24,"en":24,"de":24},"Opéra National de Bordeaux, 2021",{"fr":26,"en":36,"de":37},{"Direction musicale":27,"Mise en espace":28,"Lumières et installation":29,"Robert, duc de Normandie":30,"Isabelle, princesse de Sicile":31,"Bertram":32,"Alice":33,"Raimbaut":34,"Directeur du chœur":35},"Marc Minkowski","Luc Birraux","Julien Brun","John Osborn","Erin Morley","Nicolas Courjal","Amina Edris","Nico Darmanin","Salvatore Caputo",{"Musical direction":27,"Staging":28,"Lighting & installation":29,"Robert, Duke of Normandy":30,"Isabelle, Princess of Sicily":31,"Bertram":32,"Alice":33,"Raimbaut":34,"Chorus director":35},{"Musikalische Leitung":27,"Inszenierung":28,"Licht & Installation":29,"Robert, Herzog der Normandie":30,"Isabelle, Prinzessin von Sizilien":31,"Bertram":32,"Alice":33,"Raimbaut":34,"Chorleiter":35},[],[],{"id":41,"name":42,"description":44,"role":48,"direction":52,"caption":53,"cast":57,"pressClippings":61,"hyperlinks":62},"festival-cully-classique",{"fr":43,"en":43,"de":43},"Festival Cully Classique",{"fr":45,"en":46,"de":47},"Festival de musique classique à Cully, Suisse. Directeur technique, designer et directeur de production sur plusieurs éditions de 2009 à 2016. Concerts en salle et en plein air, architecture temporaire, programme in et off.","Classical music festival in Cully, Switzerland. Technical director, designer and production director across multiple editions from 2009 to 2016. Indoor and outdoor concerts, temporary architecture, in and off programme.","Festival für klassische Musik in Cully, Schweiz. Technische Leitung, Design und Produktionsleitung über mehrere Ausgaben von 2009 bis 2016. Konzerte drinnen und draußen, temporäre Architektur, In- und Off-Programm.",{"fr":49,"en":50,"de":51},"Directeur technique, designer et directeur de production","Technical Director, Designer & Production Director","Technische Leitung, Designer & Produktionsleitung",{"fr":43,"en":43,"de":43},{"fr":54,"en":55,"de":56},"Cully, Suisse, 2009–2016. Plusieurs éditions.","Cully, Switzerland, 2009–2016. Multiple editions.","Cully, Schweiz, 2009–2016. Mehrere Ausgaben.",{"fr":58,"en":59,"de":60},{},{},{},[],[],{"id":64,"name":65,"description":67,"role":71,"direction":75,"caption":79,"cast":81,"pressClippings":93,"hyperlinks":94},"no-one-escapes-the-spectacle-of-happiness",{"fr":66,"en":66,"de":66},"No one escapes the spectacle of happiness",{"fr":68,"en":69,"de":70},"Pièce pour deux danseurs et un comédien, inspirée de L'Année de la pensée magique de Joan Didion. Comment le deuil s'inscrit-il dans le corps ? Ce qui se passe à l'intérieur ne correspond pas toujours à ce qui se voit de l'extérieur. Création au Bayer Kulturhaus de Leverkusen, puis aux Uferstudios de Berlin dans le cadre des présentations semestrielles du MA Chorégraphie au HZT Berlin.","A piece for two dancers and an actor, inspired by Joan Didion's The Year of Magical Thinking. How does grief inscribe itself in the body? What the body goes through doesn't always match what it shows on the surface. Premiere at Bayer Kulturhaus Leverkusen, then Uferstudios Berlin as part of the MA Choreography semester presentations at HZT Berlin.","Ein Stück für zwei Tänzer und einen Schauspieler, inspiriert von Joan Didions Das Jahr magischen Denkens. Wie schreibt sich Trauer in den Körper ein? Was im Körper vorgeht, korrespondiert nicht immer mit seiner äußeren Erscheinung. Uraufführung im Bayer Kulturhaus Leverkusen, anschließend in den Uferstudios Berlin im Rahmen der Semesterpräsentationen des MA Choreografie am HZT Berlin.",{"fr":72,"en":73,"de":74},"Concepteur lumière","Lighting Designer","Lichtdesigner",{"fr":76,"en":77,"de":78},"Concept et mise en scène : Milla Koistinen","Concept and direction: Milla Koistinen","Konzept und Regie: Milla Koistinen",{"fr":80,"en":80,"de":80},"Bayer Kulturhaus Leverkusen \u002F Uferstudios Berlin, 2011",{"fr":82,"en":91,"de":92},{"Concept et mise en scène":83,"Interprète":84,"Vidéo":85,"Son":86,"Film & photos":87,"Lumière":29,"Costumes":88,"Production et conseil dramaturgique":89,"Mentorat":90},"Milla Koistinen","Soile Voima","Vita Mühleisen","David Lipp","Lennart Laberenz","Miriam Marto","Gabi Beier","Ingo Reulecke",{"Concept and direction":83,"Performer":84,"On the video":85,"Sound":86,"Film & photos":87,"Lighting Design":29,"Costumes":88,"Production & dramaturgical support":89,"Mentoring":90},{"Konzept und Regie":83,"Performer":84,"Im Film":85,"Musik":86,"Film & Fotos":87,"Lichtdesign":29,"Kostüme":88,"Produktionsleitung und dramaturgische Beratung":89,"Mentoring":90},[],[],{"id":96,"name":97,"description":99,"role":103,"direction":104,"caption":108,"cast":110,"pressClippings":132,"hyperlinks":139},"nelligan",{"fr":98,"en":98,"de":98},"Nelligan",{"fr":100,"en":101,"de":102},"Opéra d'André Gagnon sur la vie du poète québécois Émile Nelligan, livret de Michel Tremblay, arrangements d'Anthony Rozankovic. Pièce romantique en deux actes, créée à l'Opéra de Montréal en 2010 et reprise à l'Opéra de Québec en 2012.","André Gagnon's opera on the life of Québécois poet Émile Nelligan, with a libretto by Michel Tremblay. A romantic two-act piece, created at the Opéra de Montréal in 2010 and reprised at the Opéra de Québec in 2012.","André Gagnons Oper über das Leben des Québecer Dichters Émile Nelligan, Libretto von Michel Tremblay. Ein romantisches Zweiakter-Stück, uraufgeführt an der Opéra de Montréal 2010 und wiederaufgenommen an der Opéra de Québec 2012.",{"fr":72,"en":73,"de":74},{"fr":105,"en":106,"de":107},"Mise en scène : Normand Chouinard","Direction: Normand Chouinard","Regie: Normand Chouinard",{"fr":109,"en":109,"de":109},"Opéra de Montréal 2010, Opéra de Québec 2012",{"fr":111,"en":130,"de":131},{"Nelligan vieux":112,"Nelligan jeune":113,"Émilie Nelligan":114,"David Nelligan":115,"Eva":116,"Gertrude":117,"Arthur de Bussières":118,"Charles Gill":119,"Françoise":120,"Le Père Seers":121,"Le Visiteur":122,"Une Religieuse":123,"Piano":124,"Direction musicale":125,"Metteur en scène":126,"Décors":127,"Costumes":128,"Éclairages":29,"Accessoires":129},"Marc Hervieux","Dominique Côté","Caroline Bleau","Stephen Nelligan","Lara Ciekiewicz","Suzanne Rigden","Roy Del Valle","Aaron Ferguson","Catherine Daniel","Pierre Rancourt","Oriol Tomas","Chantal Lambert","Jérémie Pelletier","Esther Gonthier","Normand Chouinard","Évelyne Paquette","Kate Whitehead","Cédric Lord",{"Nelligan (old)":112,"Nelligan (young)":113,"Émilie Nelligan":114,"David Nelligan":115,"Eva":116,"Gertrude":117,"Arthur de Bussières":118,"Charles Gill":119,"Françoise":120,"Le Père Seers":121,"Le Visiteur":122,"Une Religieuse":123,"Piano":124,"Musical Direction":125,"Director":126,"Set Design":127,"Costumes":128,"Lighting Design":29,"Props":129},{},[133],{"source":134,"quote":135,"projectId":96},"Res Musica",{"fr":136,"en":137,"de":138},"Les éclairages, avec les tons de gris dominants, sont toujours en situation.","The lighting, with its dominant grey tones, is always in context.",null,[],{"id":141,"name":142,"description":144,"role":148,"direction":152,"caption":156,"cast":158,"pressClippings":169,"hyperlinks":176},"zwischen-jetzt",{"fr":143,"en":143,"de":143},"Zwischen Jetzt",{"fr":145,"en":146,"de":147},"Pièce interdisciplinaire pour cinq danseurs, un quatuor à cordes et percussion. Anna Huber et la compositrice Isabel Mundry tissent des vibrations entre séquences de mouvement et de musique individuelles, parallèles et synchrones. À partir de lignes comme forme de disparition, des fils s'entrelacent en filets fragiles, se brisent ou se dissolvent. Des espaces intermédiaires surgissent entre présence et absence, rencontre et séparation. Des moments précisément formulés et un équilibre précaire, comme des blocs de glace en mouvement dans l'espace.","An interdisciplinary piece for five dancers, a string quartet and percussion. Anna Huber and composer Isabel Mundry build vibrations between individual, parallel and synchronous sequences of movement and music. Starting from lines as a form of disappearance, threads interweave into fragile nets, break or dissolve. In-between spaces emerge between presence and absence, meeting and parting. Precisely formulated moments and precarious balance like moving ice floes in space.","Ein interdisziplinäres Stück für fünf Tänzer, ein Streichquartett und Perkussion. Anna Huber und die Komponistin Isabel Mundry erzeugen Schwingungen zwischen individuellen, parallelen und synchronen Bewegungs- und Musiksequenzen. Ausgehend von Linien als Form des Verschwindens verweben sich Fäden zu fragilen Netzen, verknoten sich, brechen oder lösen sich auf. Zwischenräume entstehen zwischen Anwesenheit und Abwesenheit, Begegnung und Trennung. Präzise formulierte Momente und prekäre Balance wie treibende Eisschollen im Raum.",{"fr":149,"en":150,"de":151},"Scénographe et concepteur lumière","Set & Lighting Designer","Bühnen- und Lichtdesigner",{"fr":153,"en":154,"de":155},"Chorégraphie : Anna Huber","Choreography: Anna Huber","Choreografie: Anna Huber",{"fr":157,"en":157,"de":157},"Dampfzentrale Bern \u002F Uferstudios Berlin \u002F Heidelberg, 2013",{"fr":159,"en":167,"de":168},{"Chorégraphie":160,"Composition originale":161,"Interprète":162,"Violon (Quatuor Galatea)":163,"Alto (Quatuor Galatea)":164,"Violoncelle (Quatuor Galatea)":165,"Percussion":166,"Scénographie et lumière":29},"Anna Huber","Isabel Mundry","Miryam Mariblanca","Sarah Kilchenmann","David Schneebeli","Julien Kilchenmann","Louisa Marxen",{"Choreography":160,"Original score":161,"Performer":162,"Violin (Quatuor Galatea)":163,"Viola (Quatuor Galatea)":164,"Cello (Quatuor Galatea)":165,"Percussion":166,"Set & Lighting Design":29},{"Choreografie":160,"Originalkomposition":161,"Performer":162,"Violine (Quatuor Galatea)":163,"Bratsche (Quatuor Galatea)":164,"Violoncello (Quatuor Galatea)":165,"Perkussion":166,"Bühnen- und Lichtdesign":29},[170],{"source":171,"quote":172,"projectId":141},"Der Bund",{"fr":173,"en":174,"de":175},"Silence. Un rayon de lumière solitaire balaie la scène de la Dampfzentrale, quelque part les feuilles d'une plante d'intérieur bruissent. Des silhouettes se baissent, reculent, sursautent et disparaissent dans le noir.","Silence. A lone beam of light searches the stage of the Dampfzentrale, somewhere the leaves of a houseplant rustle. Figures duck, retreat, startle and vanish into the dark.","Stille. Ein einsamer Lichtstrahl sucht die Bühne der Dampfzentrale ab, irgendwo rascheln die Blätter einer Zimmerpflanze. Wesen ducken sich, weichen zurück, schrecken auf und verschwinden im Dunkel.",[],{"id":178,"name":179,"description":181,"role":185,"direction":186,"caption":190,"cast":192,"pressClippings":200,"hyperlinks":201},"false",{"fr":180,"en":180,"de":180},"False",{"fr":182,"en":183,"de":184},"Inspiré des romans de W.G. Sebald Les Anneaux de Saturne, Vertiges et Austerlitz. Une pièce sur les souvenirs faux et flous comme lien entre passé et présent. Koistinen emprunte la dramaturgie non-linéaire et stratifiée de Sebald pour la transposer en mouvement, musique et éléments visuels. Deux danseurs et un comédien explorent comment la mémoire nous trompe, et ce qui s'ouvre quand elle le fait.","Inspired by W.G. Sebald's novels The Rings of Saturn, Vertigo and Austerlitz. A piece about false and unclear memories as a link between past and present. Koistinen borrows Sebald's non-linear, layered dramaturgy and translates it into movement, music and visual elements. Two dancers and an actor explore how memory deceives, and what opens up when it does.","Inspiriert von W.G. Sebalds Romanen Die Ringe des Saturn, Schwindel. Gefühle und Austerlitz. Ein Stück über falsche und unklare Erinnerungen als Bindeglied zwischen Vergangenheit und Gegenwart. Koistinen übernimmt Sebalds nichtlineare, vielschichtige Dramaturgie und überträgt sie in Bewegung, Musik und visuelle Elemente. Zwei Tänzer und ein Schauspieler erkunden, wie die Erinnerung uns täuscht und was sich öffnet, wenn sie es tut.",{"fr":149,"en":150,"de":151},{"fr":187,"en":188,"de":189},"Concept et chorégraphie : Milla Koistinen","Concept & choreography: Milla Koistinen","Konzept & Choreografie: Milla Koistinen",{"fr":191,"en":191,"de":191},"Uferstudios Berlin, 2013",{"fr":193,"en":197,"de":198},{"Concept et chorégraphie":83,"Interprète":194,"Musique":195,"Lumière et scénographie":29,"Vidéo":196,"Conseil dramaturgique et production":89},"Rasmus Slätis","Jochen Arbeit","Laurent Schaer",{"Concept & choreography":83,"Performer":194,"Music":195,"Lighting & set design":29,"Video":196,"Dramaturgical support & production":89},{"Konzept & Choreografie":83,"Performerin":199,"Performer":194,"Musik":195,"Lichtdesign & Bühnenbild":29,"Video":196,"Dramaturgische Beratung & Produktionsleitung":89},"Lidia Bäck",[],[],{"id":203,"name":204,"description":206,"role":210,"direction":212,"caption":216,"cast":218,"pressClippings":223,"hyperlinks":224},"minimal-volume",{"fr":205,"en":205,"de":205},"Minimal volume",{"fr":207,"en":208,"de":209},"Projet de recherche aux Uferstudios de Berlin. Mimi Jeong comme danseuse et chorégraphe, Julien Brun à l'installation. Minimal volume explore le réduit, l'essentiel, l'espace entre le corps et la lumière.","A research project at Uferstudios Berlin. Mimi Jeong as dancer and choreographer, Julien Brun on the installation side. Minimal volume explores the reduced, the essential, the space between body and light.","Ein Forschungsprojekt in den Uferstudios Berlin. Mimi Jeong als Tänzerin und Choreografin, Julien Brun für die Installation. Minimal volume erforscht das Reduzierte, das Wesentliche, den Raum zwischen Körper und Licht.",{"fr":211,"en":211,"de":211},"Installation",{"fr":213,"en":214,"de":215},"Direction artistique : Mimi Jeong","Artistic direction: Mimi Jeong","Künstlerische Leitung: Mimi Jeong",{"fr":217,"en":217,"de":217},"Uferstudios Berlin, 2015",{"fr":219,"en":221,"de":222},{"Direction artistique, danseuse et chorégraphe":220,"Installation":29},"Mimi Jeong",{"Artistic director, dancer & choreographer":220,"Installation":29},{"Künstlerische Leitung, Tänzerin & Choreografin":220,"Installation":29},[],[],{"id":226,"name":227,"description":229,"role":233,"direction":234,"caption":238,"cast":240,"pressClippings":255,"hyperlinks":256},"the-coffin-is-too-big-for-the-hole",{"fr":228,"en":228,"de":228},"The Coffin is too big for the hole",{"fr":230,"en":231,"de":232},"D'après la nouvelle éponyme de Kuo Pao Kun. Production de Nyoba Kan en collaboration avec le Goethe-Institut Malaysia, présentée à Publika à Kuala Lumpur.","Based on Kuo Pao Kun's short story of the same name. A production by Nyoba Kan in collaboration with Goethe-Institut Malaysia, presented at Publika in Kuala Lumpur.","Nach der gleichnamigen Kurzgeschichte von Kuo Pao Kun. Eine Produktion von Nyoba Kan in Zusammenarbeit mit dem Goethe-Institut Malaysia, gezeigt im Publika in Kuala Lumpur.",{"fr":149,"en":150,"de":151},{"fr":235,"en":236,"de":237},"Production : Nyoba Kan","Production: Nyoba Kan","Produktion: Nyoba Kan",{"fr":239,"en":239,"de":239},"Publika, Kuala Lumpur, 2015",{"fr":241,"en":253,"de":254},{"Metteur en scène \u002F chorégraphe":242,"Conseiller artistique \u002F interprète":243,"Artiste conceptuel":244,"Danseur butô":245,"Danseuse":246,"Opéra chinois":247,"Musique":248,"Percussion":249,"Chorégraphe \u002F danseuse":220,"Artiste d'installation \u002F concepteur lumière":29,"Artiste vidéo":196,"Interprète":250,"Régisseuse":251,"Assistance des artistes étrangers":252},"Lee Swee Keong","Foo Chiwei","Tan Zi Hao","Kiew Kuan Nam","Lee Ren Xin","Chua","Goh Lee Kwang","Boyz Chew (Orang-orang Drum Theatre)","Pedro Simoni","Jaslyn Niow","Arson Ong",{"Director \u002F Choreographer":242,"Creative Advisor \u002F Performer":243,"Conceptual Artist":244,"Butoh Dancer":245,"Dancer":246,"Chinese Opera":247,"Music":248,"Percussion":249,"Choreographer \u002F Dancer":220,"Installation Artist \u002F Lighting Designer":29,"Video Artist":196,"Performer":250,"Stage Manager":251,"Assistance of Foreign Artists":252},{"Regie \u002F Choreografie":242,"Künstlerischer Berater \u002F Performer":243,"Konzeptkünstler":244,"Butoh-Tänzer":245,"Tänzerin":246,"Chinesische Oper":247,"Musik":248,"Perkussion":249,"Choreografin \u002F Tänzerin":220,"Installationskünstler \u002F Lichtdesigner":29,"Videokünstler":196,"Performer":250,"Inspizentin":251,"Betreuung ausländischer Künstler":252},[],[],{"id":258,"name":259,"description":261,"role":265,"direction":267,"caption":271,"cast":273,"pressClippings":281,"hyperlinks":282},"ab-surrrrrd",{"fr":260,"en":260,"de":260},"Ab surrrrrd",{"fr":262,"en":263,"de":264},"Quand perçoit-on le son et le mouvement ? Après disembodied beat, chorégraphie de groupe en forme polyphonique, la recherche continue de Mimi Jeong sur le son et le mouvement prend un nouveau tournant. On suit le caractère feuilleté d'un seul interprète entre danse et musicalité. Accompagné d'une partition mobile, Utku Yurttas nous emmène à travers de nouveaux territoires acoustiques. Doublé d'une installation superposant vidéo, partitions spatiales et musicales issues de la recherche chorégraphique.","When do we perceive sound and movement? After disembodied beat, a group choreography in polyphonic form, Mimi Jeong's ongoing research on sound and movement takes a new turn. We follow one performer's layered character between dance and musicality. Accompanied by a mobile score, Utku Yurttas takes us through new acoustic territories. Paired with an installation layering video, spatial and musical scores from the choreographic research.","Wann nehmen wir Klang und Bewegung wahr? Nach disembodied beat, einer Gruppenchoreographie in polyphoner Form, nimmt Mimi Jeongs Recherche über Klang und Bewegung eine neue Wendung. Wir folgen dem vielschichtigen Charakter eines einzelnen Performers zwischen Tanz und Musikalität. Begleitet von einer beweglichen Partitur nimmt uns Utku Yurttas mit auf eine Reise durch neue akustische Territorien. Ergänzt durch eine Installation, die Video-, Raum- und Musikpartituren der choreographischen Recherche übereinanderschichtet.",{"fr":149,"en":150,"de":266},"Bühnenbild & Licht",{"fr":268,"en":269,"de":270},"Concept et composition chorégraphique : Mimi Jeong","Concept & choreographic composition: Mimi Jeong","Konzept & choreographische Komposition: Mimi Jeong",{"fr":272,"en":272,"de":272},"BAT Studiotheater, Berlin, 2016",{"fr":274,"en":278,"de":279},{"Concept et composition chorégraphique":220,"Performance et composition musicale":275,"Scénographie et lumière":29,"Assistante":276,"Mentor":277},"Utku Yurttas","Julia Rodriguez","Michael Weilacher",{"Concept & choreographic composition":220,"Performance & musical composition":275,"Set & lighting design":29,"Assistant":276,"Mentor":277},{"Konzept & choreographische Komposition":220,"Performance & musikalische Komposition":275,"Bühnenbild & Licht":29,"Assistenz":276,"Mentorin":280,"Mentor":277},"Reinhild Hoffmann",[],[],{"id":284,"name":285,"description":287,"role":291,"direction":295,"caption":299,"cast":303,"pressClippings":309,"hyperlinks":310},"l-envers",{"fr":286,"en":286,"de":286},"L'Envers",{"fr":288,"en":289,"de":290},"Un cercle de gazon, de vieux seaux rouillés, un acrobate et une danseuse masqués. Ils s'imposent et convient les passants à s'arrêter pour prendre un grand bol d'air frais. Cette prairie imaginée devient un champ de bataille au même titre qu'un terrain de jeu. Un espace-temps entre chien et loup, entre enfant et adulte, entre pulsions créatrices et destructrices, entre danse et cirque. Une histoire à boire debout, allongé sur l'herbe. 40 minutes, tout public, extérieur.","A circle of synthetic grass, rusty buckets, an acrobat and a dancer. They burst in and invite passersby to stop and breathe. This imagined meadow becomes a battlefield as much as a playground. A space between dusk and dawn, child and adult, creative and destructive impulses, dance and circus. A story to drink standing up, lying on the grass. 40 minutes, all ages, outdoors.","Ein Kreis aus Kunstrasen, rostige Eimer, ein Akrobat und eine Tänzerin mit Masken. Sie drängen sich auf und laden Passanten ein, stehen zu bleiben und durchzuatmen. Diese imaginierte Wiese wird Schlachtfeld und Spielplatz zugleich. Ein Raum zwischen Tag und Nacht, Kind und Erwachsenem, schöpferischen und zerstörerischen Impulsen, Tanz und Zirkus. Eine Geschichte zum Trinken im Stehen, liegend im Gras. 40 Minuten, alle Altersgruppen, draußen.",{"fr":292,"en":293,"de":294},"Metteur en scène","Director","Regisseur",{"fr":296,"en":297,"de":298},"Création collective : Cie Ici'Bas","Collective creation: Cie Ici'Bas","Kollektive Kreation: Cie Ici'Bas",{"fr":300,"en":301,"de":302},"Spectacle extérieur multidisciplinaire, cirque et danse. Tournée internationale, 100+ dates, tous les continents. 2016–","Outdoor multidisciplinary circus & dance piece. International tour, 100+ dates, all continents. 2016–","Multidisziplinäres Freiluft-Stück, Zirkus und Tanz. Internationale Tournee, 100+ Vorstellungen, alle Kontinente. 2016–",{"fr":304,"en":307,"de":308},{"Danseuse \u002F co-créatrice":305,"Acrobate \u002F co-créateur":306,"Metteur en scène":29},"Constance Bugnon","Mathias Reymond",{"Dancer \u002F co-creator":305,"Acrobat \u002F co-creator":306,"Director":29},{"Tänzerin \u002F Co-Kreation":305,"Akrobat \u002F Co-Kreation":306,"Regisseur":29},[],[],{"id":312,"name":313,"description":315,"role":319,"direction":320,"caption":324,"cast":328,"pressClippings":342,"hyperlinks":343},"un-diner-avec-jacques",{"fr":314,"en":314,"de":314},"Un Dîner avec Jacques",{"fr":316,"en":317,"de":318},"Un dîner-opéra d'après Offenbach arrangé par Thibault Perrine, mis en scène à l'Auditorium du Musée d'Orsay pour l'Opéra Comique. Cinq chanteurs, un chef et l'orchestre des Frivolités parisiennes autour d'une table. Création le 9 octobre 2016, puis tournée à Bastia et Compiègne en 2017.","A dinner-opera by Offenbach arranged by Thibault Perrine, staged at the Auditorium du Musée d'Orsay for the Opéra Comique. Five singers, a conductor and the Frivolités parisiennes orchestra around a table. Premiered October 9, 2016, then toured to Bastia and Compiègne in 2017.","Eine Dinner-Oper nach Offenbach in Arrangements von Thibault Perrine, inszeniert im Auditorium des Musée d'Orsay für die Opéra Comique. Fünf Sänger, ein Dirigent und das Orchester der Frivolités parisiennes um einen Tisch. Uraufführung am 9. Oktober 2016, dann Tournee nach Bastia und Compiègne 2017.",{"fr":72,"en":73,"de":74},{"fr":321,"en":322,"de":323},"Mise en scène : Gilles Rico","Direction: Gilles Rico","Regie: Gilles Rico",{"fr":325,"en":326,"de":327},"Opéra Comique \u002F Musée d'Orsay, Paris 2016. Tournée : Bastia, Compiègne, 2017.","Opéra Comique \u002F Musée d'Orsay, Paris 2016. Tour: Bastia, Compiègne, 2017.","Opéra Comique \u002F Musée d'Orsay, Paris 2016. Tournee: Bastia, Compiègne, 2017.",{"fr":329,"en":340,"de":341},{"Mise en scène":330,"La Baronne":331,"L'Actrice":332,"L'Acteur":333,"Le Baron":334,"Le Majordome":335,"Direction musicale":336,"Arrangements":337,"Décors":338,"Costumes":339,"Lumières":29},"Gilles Rico","Vannina Santoni","Antoinette Dennefeld","Yann Beuron","Jean-Sébastien Bou","Franck Leguérinel","Julien Leroy","Thibault Perrine","Bruno de Kavenère","Violaine Thel",{"Director":330,"La Baronne":331,"L'Actrice":332,"L'Acteur":333,"Le Baron":334,"Le Majordome":335,"Musical direction":336,"Arrangements":337,"Set design":338,"Costumes":339,"Lighting design":29},{"Regie":330,"Die Baronin":331,"Die Schauspielerin":332,"Der Schauspieler":333,"Der Baron":334,"Der Butler":335,"Musikalische Leitung":336,"Arrangements":337,"Bühnenbild":338,"Kostüme":339,"Lichtdesign":29},[],[],{"id":345,"name":346,"description":348,"role":352,"direction":353,"caption":357,"cast":361,"pressClippings":372,"hyperlinks":373},"scintilla",{"fr":347,"en":347,"de":347},"Scintilla",{"fr":349,"en":350,"de":351},"Six artistes de cirque sur scène avec acrobaties contemporaines — roue Cyr, fil de fer, mât chinois, corde lisse, monocycle, jeux icariens et danse. Une scénographie sobre de murs en tôle usée encadre leur regard sur les violations des droits humains. Un mur qui se déplace, une petite ouverture, des voyages, un nouveau visiteur. Créé avec Amnesty International, le spectacle a tourné en Suisse et peut être accompagné d'ateliers en milieu scolaire. 80 minutes, tout public dès 14 ans.","Six circus artists on stage with contemporary acrobatics — Cyr wheel, tightrope, Chinese pole, smooth rope, unicycle, Icarian games and dance. A sober set of worn sheet-metal walls frames their take on human rights violations. Walls that shift, a small opening, journeys, a new visitor. Created with Amnesty International, the piece toured Switzerland and can be paired with workshops for schools. 80 minutes, all ages from 14.","Sechs Zirkuskünstler auf der Bühne mit zeitgenössischer Akrobatik — Cyr-Rad, Drahtseil, chinesischer Mast, Vertikalseil, Einrad, ikarische Spiele und Tanz. Eine schlichte Bühne aus abgenutzten Blechwänden rahmt ihren Blick auf Menschenrechtsverletzungen. Eine Wand, die sich verschiebt, eine kleine Öffnung, Reisen, ein neuer Besucher. In Zusammenarbeit mit Amnesty International entstanden, tourte das Stück durch die Schweiz. 80 Minuten, ab 14 Jahren.",{"fr":72,"en":73,"de":74},{"fr":354,"en":355,"de":356},"Mise en scène : Helena Bittencourt et Goos Meeuwsen","Direction: Helena Bittencourt & Goos Meeuwsen","Regie: Helena Bittencourt & Goos Meeuwsen",{"fr":358,"en":359,"de":360},"Théâtre Interface, Sion, 2016. En partenariat avec Amnesty International. Sélectionné pour la Bourse Suisse aux Spectacles 2017.","Théâtre Interface, Sion, 2016. In partnership with Amnesty International. Selected for the Bourse Suisse aux Spectacles 2017.","Théâtre Interface, Sion, 2016. In Partnerschaft mit Amnesty International. Ausgewählt für die Bourse Suisse aux Spectacles 2017.",{"fr":362,"en":369,"de":370},{"Mise en scène":363,"Interprète":364,"Musique originale":365,"Costumes":366,"Chorégraphie":367,"Création décors":368,"Conception lumières":29},"Goos Meeuwsen","Raphaël Perrenoud","Thierry Epiney","Kim Salah","Fernando Carrillo","Yohan Ruchet",{"Director":363,"Performer":364,"Original music":365,"Costumes":366,"Choreography":367,"Set construction":368,"Lighting design":29},{"Regie":363,"Performerin":371,"Performer":364,"Originalmusik":365,"Kostüme":366,"Choreografie":367,"Bühnenbau":368,"Lichtdesign":29},"Estelle Borel",[],[],{"id":375,"name":376,"description":378,"role":382,"direction":386,"caption":390,"cast":392,"pressClippings":403,"hyperlinks":404},"re",{"fr":377,"en":377,"de":377},"RE-",{"fr":379,"en":380,"de":381},"Création musico-chorégraphique s'interrogeant sur la perméabilité des pratiques artistiques. Une danseuse et quatre musiciens-performeurs sur scène pendant environ 35 minutes. L'Ensemble Aabat réunit musique contemporaine, danse et lumière dans un seul espace interdisciplinaire.","A music-choreographic creation questioning the permeability between artistic practices. One dancer and four musician-performers on stage for about 35 minutes. Ensemble Aabat brings together contemporary music, dance and light in a single interdisciplinary space.","Eine musikalisch-choreografische Kreation, die die Durchlässigkeit zwischen künstlerischen Praktiken hinterfragt. Eine Tänzerin und vier Musiker-Performer auf der Bühne für etwa 35 Minuten. Das Ensemble Aabat vereint zeitgenössische Musik, Tanz und Licht in einem interdisziplinären Raum.",{"fr":383,"en":384,"de":385},"Scénographe","Set Designer","Bühnenbildner",{"fr":387,"en":388,"de":389},"Conception et direction de production : Noémie Brun \u002F Ensemble Aabat","Conception & production: Noémie Brun \u002F Ensemble Aabat","Konzeption & Produktionsleitung: Noémie Brun \u002F Ensemble Aabat",{"fr":391,"en":391,"de":391},"PROGR Bern, Uferstudios Berlin, 2017",{"fr":393,"en":401,"de":402},{"Conception, direction de production, composition et performance":394,"Chorégraphie":220,"Composition \u002F électronique":395,"Scénographie":29,"Danse \u002F performance":396,"Flûte à bec \u002F performance":397,"Percussions \u002F performance":398,"Oeil extérieur":399,"Conseils à la création":400},"Noémie Brun","Robert Torche","Alice Stern","Marie-Clémence Delprat","Katelyn King","Jacques Demierre","Pierre Sublet",{"Conception, production, composition & performance":394,"Choreography":220,"Composition \u002F electronics":395,"Set design":29,"Dance \u002F performance":396,"Recorder \u002F performance":397,"Percussion \u002F performance":398,"Outside eye":399,"Creative advisor":400},{"Konzeption, Produktionsleitung, Komposition & Performance":394,"Choreografie":220,"Komposition \u002F Elektronik":395,"Bühnenbild":29,"Tanz \u002F Performance":396,"Blockflöte \u002F Performance":397,"Perkussion \u002F Performance":398,"Externes Auge":399,"Künstlerische Beratung":400},[],[],{"id":406,"name":407,"description":409,"role":413,"direction":417,"caption":421,"cast":423,"pressClippings":431,"hyperlinks":437},"normal-desires",{"fr":408,"en":408,"de":408},"Normal Desires",{"fr":410,"en":411,"de":412},"Le solo d'Emile Pineault invite le public à se faufiler dans la peau de l'acrobate. Sur scène, une figure seule en constant débordement, ses contours troublés par une extase cinétique. L'impact, le flux, la répétition, la contrainte, la compression, la poussée, la chaleur, la vibration nous font voyager à travers une série d'états et d'espaces affectifs. En constante interaction avec un dispositif son et lumière en direct de Joël Lavoie et Julien Brun, son corps est mis à l'épreuve d'un environnement englobant. Une expérience sensorielle de l'acrobatie, à la fois subtile et intense.","Emile Pineault's solo invites the audience into the acrobat's skin. On stage, a figure in constant overflow, contours blurred by kinetic ecstasy. Impact, flow, repetition, constraint, compression, push, heat, vibration — travelling through a series of states and affective spaces. In constant interaction with a live sound and light system by Joël Lavoie and Julien Brun, his body is tested by an enveloping environment. A sensory experience of acrobatics, both subtle and intense.","Emile Pineaults Solo lädt das Publikum ein, in die Haut des Akrobaten zu schlüpfen. Auf der Bühne eine Figur in ständigem Überfluss, die Konturen verwischt durch kinetische Ekstase. Aufprall, Fluss, Wiederholung, Zwang, Kompression, Schub, Hitze, Vibration — eine Reise durch eine Reihe von Zuständen und affektiven Räumen. In ständiger Interaktion mit einem Live-Klang- und Lichtsystem von Joël Lavoie und Julien Brun wird sein Körper von einer umhüllenden Umgebung auf die Probe gestellt. Eine sensorische Erfahrung der Akrobatik, zugleich subtil und intensiv.",{"fr":414,"en":415,"de":416},"Conception lumière, scénographie et direction technique","Lighting Design, Scenography & Technical Direction","Lichtdesign, Bühnenbild & Technische Leitung",{"fr":418,"en":419,"de":420},"Mise en scène et interprétation : Emile Pineault","Direction & performance: Emile Pineault","Regie & Performance: Emile Pineault",{"fr":422,"en":422,"de":422},"La Chapelle, OFFTA, Parcours Danse Montréal, New Baltic Dance Vilnius, Zone Homa Montréal, 2018–2019",{"fr":424,"en":429,"de":430},{"Mise en scène et interprétation":425,"Conception lumière, scénographie et direction technique":29,"Conception son":426,"Conseils dramaturgiques":427,"Regard extérieur":220,"Direction de production":428},"Emile Pineault","Joël Lavoie","Sebastian Kann","Lee Anholt",{"Direction & performance":425,"Lighting design, scenography & technical direction":29,"Sound design":426,"Dramaturgical advice":427,"Outside eye":220,"Production director":428},{"Regie & Performance":425,"Lichtdesign, Bühnenbild & Technische Leitung":29,"Sounddesign":426,"Dramaturgische Beratung":427,"Externes Auge":220,"Produktionsleitung":428},[432],{"source":433,"quote":434,"projectId":406},"iO Gazette",{"fr":435,"en":436,"de":138},"Les bains de lumière tranchants de Julien Brun dialoguent merveilleusement avec cette danse physique et puissante. Les bains de couleurs franche sont des coups de hache dans une mer gelée.","Julien Brun's razor-sharp light baths are a marvellous dialogue with the powerful, physical dance. The baths of bold color are like chops in a frozen sea.",[],{"id":439,"name":440,"description":442,"role":446,"direction":450,"caption":452,"cast":456,"pressClippings":463,"hyperlinks":464},"lonely-are-the-lonely-roads",{"fr":441,"en":441,"de":441},"Lonely are the lonely Roads",{"fr":443,"en":444,"de":445},"Un projet interdisciplinaire mêlant cirque et danse. Trois interprètes électriques et sensuels dans un travail de partenariat ardent qui rencontre une composition circassienne raffinée, sans artifice. Qu'est-ce qui nous lie les uns aux autres ? Qu'est-ce qui nous relie à notre environnement matériel et immatériel ? Dans une société fragmentée et individualiste, peut-on encore créer des espaces communs ?","An interdisciplinary project blending circus and dance. Three electric, sensual performers in an ardent partnering work that meets refined circus composition, free of artifice. What brings us together in relation with each other? What binds us with our material and immaterial environment? In a fragmented, individualistic society, can we still create common spaces?","Ein interdisziplinäres Projekt zwischen Zirkus und Tanz. Drei elektrische, sinnliche Performer in einer leidenschaftlichen Partnerarbeit, die auf eine raffinierte Zirkuskomposition ohne Künstlichkeit trifft. Was bringt uns in Beziehung zueinander? Was verbindet uns mit unserer materiellen und immateriellen Umgebung? Können wir in einer fragmentierten, individualistischen Gesellschaft noch gemeinsame Räume schaffen?",{"fr":447,"en":448,"de":449},"Conception lumière et dramaturgie","Lighting Design & Dramaturgy","Lichtdesign & Dramaturgie",{"fr":451,"en":451,"de":451},"Cie Ici'Bas",{"fr":453,"en":454,"de":455},"Kaserne Basel, Imaginarius Portugal (création), TLH Sierre, 2018–2020","Kaserne Basel, Imaginarius Portugal (world premiere), TLH Sierre, 2018–2020","Kaserne Basel, Imaginarius Portugal (Uraufführung), TLH Sierre, 2018–2020",{"fr":457,"en":461,"de":462},{"Interprétation et création":306,"Assistance chorégraphique":458,"Conception lumière et dramaturgie":29,"Conception sonore":459,"Dramaturgie":425,"Costumes":460},"Alan Lake","Antoine Berthiaume","Marie Romanens",{"Performance & creation":306,"Choreographic assistance":458,"Lighting design & dramaturgy":29,"Sound design":459,"Dramaturgy":425,"Costume design":460},{"Performance & Kreation":306,"Choreografische Assistenz":458,"Lichtdesign & Dramaturgie":29,"Sounddesign":459,"Dramaturgie":425,"Kostümdesign":460},[],[],{"id":466,"name":467,"description":469,"role":473,"direction":474,"caption":478,"cast":482,"pressClippings":492,"hyperlinks":493},"entre-nous",{"fr":468,"en":468,"de":468},"Entre Nous",{"fr":470,"en":471,"de":472},"Un grenier figé dans le temps. Un endroit rempli d'objets inhabités qui nous murmure une histoire pleine de poussière et nous laisse entrevoir le passé. Cinq personnes se retrouvent dans ce lieu pour trier des souvenirs. À travers ce dépoussiérage, ils se remémorent leurs illusions, leurs désirs et les rêves oubliés. Ce grenier évoque ce temps qui nous fragmente, le temps qui nous sépare de ce qui a été. Un chemin entre ce que nous étions et ce que nous pouvons être. Cirque et danse multidisciplinaire, par la Cie Entre Nous.","An attic frozen in time. A place full of uninhabited objects whispering a dusty story, letting us glimpse the past. Five people meet to sort through memories. Through this dusting-off, they recall their illusions, desires and forgotten dreams. The attic evokes the time that fragments us, separating us from what has been. A path between what we were and what we can be. Multidisciplinary circus and dance, by Cie Entre Nous.","Ein Dachboden, eingefroren in der Zeit. Ein Ort voller unbewohnter Gegenstände, die uns eine staubige Geschichte zuflüstern und die Vergangenheit erahnen lassen. Fünf Menschen treffen sich, um Erinnerungen zu sortieren. Beim Abstauben erinnern sie sich an ihre Illusionen, Wünsche und vergessenen Träume. Der Dachboden beschwört die Zeit, die uns zersplittert, die uns von dem trennt, was war. Ein Weg zwischen dem, was wir waren, und dem, was wir sein können. Multidisziplinärer Zirkus und Tanz, von der Cie Entre Nous.",{"fr":149,"en":150,"de":151},{"fr":475,"en":476,"de":477},"Idée originale : Héloïse Bourgeois, Matias Plaul","Original idea: Héloïse Bourgeois, Matias Plaul","Originalidee: Héloïse Bourgeois, Matias Plaul",{"fr":479,"en":480,"de":481},"Tournée : France, Espagne, Europe, 2018–","Tour: France, Spain, Europe, 2018–","Tournee: Frankreich, Spanien, Europa, 2018–",{"fr":483,"en":489,"de":490},{"Idée originale \u002F interprète":484,"Interprète":485,"Chorégraphie":486,"Scénographie et conception lumière":29,"Costumes":487,"Musique":488},"Matias Plaul","Jeremias Faganel","Lucas Condro","Dominique Vidal","Lucas Dorier",{"Original idea \u002F performer":484,"Performer":485,"Choreography":486,"Set & lighting design":29,"Costumes":487,"Music":488},{"Originalidee \u002F Performerin":491,"Originalidee \u002F Performer":484,"Performer":485,"Performerin":305,"Choreografie":486,"Bühnenbild und Lichtdesign":29,"Kostüme":487,"Musik":488},"Héloïse Bourgeois",[],[],{"id":495,"name":496,"description":498,"role":502,"direction":506,"caption":507,"cast":511,"pressClippings":516,"hyperlinks":517},"homonolith",{"fr":497,"en":497,"de":497},"Homonolith",{"fr":499,"en":500,"de":501},"Un croisement artistique entre danse, cirque, théâtre et musique. Un land art performatif, contemplatif et immersif qui se déploie dans de grands espaces naturels : prairies, collines, forêts. Huit artistes jouant avec leurs propres limites, avec des structures à la fois énigmatiques et réconfortantes, avec une nature parfois accueillante, parfois inquiétante. Homonolith habite chaque nouvel espace à sa manière et la pièce se réinvente au contact de chaque paysage.","An artistic cross between dance, circus, theater and music. Performative, contemplative, immersive land art unfolding in large outdoor natural spaces: prairies, hills, forests. Eight artists playing with their own limits, with structures both enigmatic and comforting, with a nature that can be welcoming or worrying. Homonolith inhabits each new space differently and the piece reinvents itself with each landscape.","Eine künstlerische Kreuzung aus Tanz, Zirkus, Theater und Musik. Performative, kontemplative und immersive Land Art in großen natürlichen Außenräumen: Wiesen, Hügel, Wälder. Acht Künstler, die mit ihren eigenen Grenzen spielen, mit Strukturen, die zugleich rätselhaft und tröstlich sind, mit einer Natur, die einladend oder beunruhigend sein kann. Homonolith bewohnt jeden neuen Raum auf eigene Weise und das Stück erfindet sich mit jeder Landschaft neu.",{"fr":503,"en":504,"de":505},"Conception lumière, scénographie et dramaturgie","Lighting Design, Scenography & Dramaturgy","Lichtdesign, Bühnenbild & Dramaturgie",{"fr":451,"en":451,"de":451},{"fr":508,"en":509,"de":510},"Spectacle en extérieur dans des espaces naturels. Le Castrum & Théâtre Benno Besson, Suisse, 2018–","Outdoor performance in natural spaces. Le Castrum & Théâtre Benno Besson, Switzerland, 2018–","Freiluft-Performance in natürlichen Räumen. Le Castrum & Théâtre Benno Besson, Schweiz, 2018–",{"fr":512,"en":514,"de":515},{"Interprétation et création":513,"Conception lumière, scénographie et dramaturgie":29},"Pablo Valarcher",{"Performance & creation":513,"Lighting design, scenography & dramaturgy":29},{"Performance & Kreation":513,"Lichtdesign, Bühnenbild & Dramaturgie":29},[],[],{"id":519,"name":520,"description":522,"role":526,"direction":527,"caption":531,"cast":535,"pressClippings":549,"hyperlinks":555},"the-sleeping-thousand",{"fr":521,"en":521,"de":521},"The Sleeping Thousand",{"fr":523,"en":524,"de":525},"Un millier de prisonniers palestiniens entament une grève de la faim. Pour les empêcher d'attirer l'attention, le Premier ministre décide de plonger tous les grévistes dans un sommeil artificiel. Mais au même moment, la population israélienne est privée de sommeil. Pour résoudre cette étrange insomnie, le gouvernement envoie un agent secret dans les rêves des prisonniers. Dans cet inconscient collectif, rien n'est ce qu'il paraît. Premier opéra d'Adam Maor, mêlant musique électronique et sons traditionnels du Moyen-Orient, créé sous les auspices d'enoa.","A thousand Palestinian prisoners begin a hunger strike. To stop them drawing attention, the Prime Minister decides to plunge every hunger striker into artificial sleep. But at the same time, the Israeli population is deprived of sleep. To solve this strange insomnia, the government sends a secret agent into the prisoners' dreams. In this collective unconscious, nothing is what it seems. Adam Maor's first opera, mixing electronic music and traditional Middle Eastern sounds, created under the auspices of enoa (European Network of Opera Academies).","Tausend palästinensische Gefangene beginnen einen Hungerstreik. Um sie daran zu hindern, Aufmerksamkeit zu erregen, beschließt der Premierminister, alle Hungerstreikenden in einen künstlichen Schlaf zu versetzen. Doch gleichzeitig wird die israelische Bevölkerung des Schlafs beraubt. Um diese seltsame Schlaflosigkeit zu lösen, schickt die Regierung einen Geheimagenten in die Träume der Gefangenen. In diesem kollektiven Unbewussten ist nichts, wie es scheint. Adam Maors erste Oper, eine Mischung aus elektronischer Musik und traditionellen nahöstlichen Klängen, geschaffen unter der Schirmherrschaft von enoa.",{"fr":383,"en":384,"de":385},{"fr":528,"en":529,"de":530},"Mise en scène : Yonatan Levy. Composition : Adam Maor","Direction: Yonatan Levy. Composition: Adam Maor","Regie: Yonatan Levy. Komposition: Adam Maor",{"fr":532,"en":533,"de":534},"Festival d'Aix-en-Provence 2019. Coproduction : Théâtres de la Ville de Luxembourg, Fondation Gulbenkian Lisbonne, La Monnaie Bruxelles, Chapelle Musicale Reine Elisabeth, IRCAM-Centre Pompidou","Festival d'Aix-en-Provence 2019. Co-production: Théâtres de la Ville de Luxembourg, Gulbenkian Foundation Lisbon, La Monnaie Brussels, Chapelle Musicale Reine Elisabeth, IRCAM-Centre Pompidou","Festival d'Aix-en-Provence 2019. Koproduktion: Théâtres de la Ville de Luxembourg, Gulbenkian Foundation Lissabon, La Monnaie Brüssel, Chapelle Musicale Reine Elisabeth, IRCAM-Centre Pompidou",{"fr":536,"en":547,"de":548},{"Mise en scène":537,"Composition":538,"Direction musicale":539,"Décors":29,"Costumes":540,"Éclairages":541,"Dramaturgie":542,"Le Premier Ministre":543,"Nurit":544,"S":545,"Ministre de l'Agriculture \u002F Manifestant \u002F Chantre":546},"Yonatan Levy","Adam Maor","Antonin Rey","Anouk Schiltz","Omer Shizaf","Amir Farjoun","Tomasz Kumięga","Gan-Ya Ben-Gur Akselrod","David Salsbery Fry","Benjamin Alunni",{"Direction":537,"Composition":538,"Musical direction":539,"Set design":29,"Costumes":540,"Lighting design":541,"Dramaturgy":542,"Prime Minister":543,"Nurit":544,"S":545,"Minister of Agriculture \u002F Demonstrator \u002F Cantor":546},{"Regie":537,"Komposition":538,"Musikalische Leitung":539,"Bühnenbild":29,"Kostüme":540,"Lichtdesign":541,"Dramaturgie":542,"Premierminister":543,"Nurit":544,"S":545,"Landwirtschaftsminister \u002F Demonstrant \u002F Kantor":546},[550],{"source":551,"quote":552,"projectId":519},"Le Monde (Marie-Aude Roux)",{"fr":553,"en":554,"de":138},"Très forte impression que celle laissée par Les Mille Endormis […] les personnages semblent évoluer dans un film d'animation","The Sleeping Thousand leaves a powerful impression […] the characters seem to be evolving in an animated movie",[],{"id":557,"name":558,"description":560,"role":564,"direction":568,"caption":572,"cast":576,"pressClippings":582,"hyperlinks":583},"losing-ground",{"fr":559,"en":559,"de":559},"Losing Ground",{"fr":561,"en":562,"de":563},"Chorégraphie circassienne tout public, acrobatique et philosophique. Médaillé de bronze aux championnats mondiaux de monocycle, Joachim Ciocca utilise le monocycle traditionnel et les technologies sonores contemporaines pour interroger notre rapport ambivalent aux outils. Un homme épuisé tourne inlassablement en rond sur sa roue, métaphore de l'engrenage absurde dans lequel il est pris. À travers le son, la danse et l'acrobatie, il aspire à réfléchir à notre déshumanisation par l'objet et à notre capacité de nous en affranchir pour exister de tout notre corps.","An acrobatic, philosophical circus piece for all ages. Bronze medalist at the world unicycle championships, Joachim Ciocca uses the traditional unicycle and contemporary sound technologies to question our ambivalent relationship with tools. An exhausted man turns endlessly in circles on his wheel, a metaphor for the absurd machine he's caught in. Through sound, dance and acrobatics, he reflects on our dehumanization by objects and our capacity to break free and exist with our whole body.","Ein akrobatisches, philosophisches Zirkusstück für alle. Bronzemedaillengewinner bei den Einrad-Weltmeisterschaften, nutzt Joachim Ciocca das traditionelle Einrad und zeitgenössische Klangtechnologien, um unser ambivalentes Verhältnis zu Werkzeugen zu hinterfragen. Ein erschöpfter Mann dreht sich unermüdlich auf seinem Rad im Kreis, eine Metapher für das absurde Räderwerk, in dem er gefangen ist. Durch Klang, Tanz und Akrobatik reflektiert er unsere Entmenschlichung durch Objekte und unsere Fähigkeit, uns davon zu befreien und mit unserem ganzen Körper zu existieren.",{"fr":565,"en":566,"de":567},"Mise en scène, scénographie et lumière","Direction, Set & Lighting Design","Regie, Bühnenbild und Licht",{"fr":569,"en":570,"de":571},"Conception, chorégraphie et interprétation : Joachim Ciocca","Conception, choreography & performance: Joachim Ciocca","Konzeption, Choreografie & Performance: Joachim Ciocca",{"fr":573,"en":574,"de":575},"Théâtre Benno Besson, Sévelin 36, Zirkusquartier Zurich, La Traverse, Suisse, 2020","Théâtre Benno Besson, Sévelin 36, Zirkusquartier Zurich, La Traverse, Switzerland, 2020","Théâtre Benno Besson, Sévelin 36, Zirkusquartier Zürich, La Traverse, Schweiz, 2020",{"fr":577,"en":580,"de":581},{"Conception, chorégraphie et interprétation":578,"Mise en scène, scénographie et lumière":29,"Chorégraphie":220,"Composition et interaction design":579},"Joachim Ciocca","Daniel Zea",{"Conception, choreography & performance":578,"Direction, set & lighting design":29,"Choreography":220,"Composition & interaction design":579},{"Konzeption, Choreografie & Performance":578,"Regie, Bühnenbild und Licht":29,"Choreografie":220,"Komposition & Interaktionsdesign":579},[],[],{"id":585,"name":586,"description":588,"role":592,"direction":593,"caption":597,"cast":601,"pressClippings":613,"hyperlinks":619},"laterna-magica",{"fr":587,"en":587,"de":587},"Laterna Magica",{"fr":589,"en":590,"de":591},"Adaptation scénique de l'autobiographie impressionniste d'Ingmar Bergman. Un voile et un labyrinthe évoquent les impasses de son enfance. Une grande ombre pour le frère aîné sadique. Une main qui caresse un voile pour la mort de la mère. Des panneaux qui tombent l'un après l'autre quand le narrateur confie qu'il ne prend rien au sérieux. Fabien Coquil narre d'un ton détaché, Nouvelle Vague, tandis que Delphine Lanza traverse le miroir pour incarner les fantômes qui ont peuplé la vie du cinéaste. Lent, lunaire, presque hypnotique.","A stage adaptation of Ingmar Bergman's impressionistic autobiography. A veil and a labyrinth conjure the dead ends of his childhood. A large shadow for the sadistic older brother. A hand caressing a veil for the mother's death. Panels falling one after another when the narrator admits he takes nothing seriously. Fabien Coquil narrates in a detached Nouvelle Vague tone while Delphine Lanza crosses the mirror to embody the ghosts who populated Bergman's life. Slow, lunar, almost hypnotic.","Eine Bühnenadaption von Ingmar Bergmans impressionistischer Autobiografie. Ein Schleier und ein Labyrinth beschwören die Sackgassen seiner Kindheit. Ein großer Schatten für den sadistischen älteren Bruder. Eine Hand, die einen Schleier streichelt, für den Tod der Mutter. Paneele, die nacheinander fallen, als der Erzähler gesteht, nichts ernst zu nehmen. Fabien Coquil erzählt in distanziertem Nouvelle-Vague-Ton, während Delphine Lanza den Spiegel durchquert und die Geister verkörpert, die Bergmans Leben bevölkerten. Langsam, lunare, fast hypnotisch.",{"fr":72,"en":73,"de":74},{"fr":594,"en":595,"de":596},"Mise en scène : Dorian Rossel \u002F Cie STT","Direction: Dorian Rossel \u002F Cie STT","Regie: Dorian Rossel \u002F Cie STT",{"fr":598,"en":599,"de":600},"Théâtre Forum Meyrin + tournée Suisse, France et Belgique 2019–2023","Théâtre Forum Meyrin + Swiss, French & Belgian tour 2019–2023","Théâtre Forum Meyrin + Tournee Schweiz, Frankreich und Belgien 2019–2023",{"fr":602,"en":611,"de":612},{"Interprète":603,"Interprète et co-mise en scène":604,"Co-mise en scène":605,"Lumières":29,"Musique":606,"Son":607,"Costumes":608,"Responsable technique":609,"Assistant":610},"Ilya Levin","Delphine Lanza","Dorian Rossel","Yohan Jacquier","Thierry Simonot","Eléonore Cassaigneau","Matthieu Baumann","Clément Fressonnet",{"Performer":603,"Performer & co-director":604,"Co-director":605,"Lighting design":29,"Music":606,"Sound":607,"Costumes":608,"Technical manager":609,"Assistant":610},{"Performer":603,"Performerin & Co-Regie":604,"Co-Regie":605,"Lichtdesign":29,"Musik":606,"Ton":607,"Kostüme":608,"Technische Leitung":609,"Assistent":610},[614],{"source":615,"quote":616,"projectId":585},"La Terrasse (Anaïs Heluin)",{"fr":617,"en":618,"de":138},"L'écran initial passe grâce à Julien Brun par toutes les nuances qui séparent l'ombre de la lumière. […] Tout est là dans ce Laterna Magica, avec d'autant plus de force qu'on ne le voit presque pas.","The initial screen passes, thanks to Julien Brun, through all the nuances that separate shadow from light. […] It's all there in this Laterna Magica, all the more powerfully because we can hardly see it.",[],{"id":621,"name":622,"description":624,"role":628,"direction":629,"caption":633,"cast":637,"pressClippings":648,"hyperlinks":654},"promesses",{"fr":623,"en":623,"de":623},"Promesses",{"fr":625,"en":626,"de":627},"Louise Bédard sculpte l'espace par les rencontres entre corps et matières : tissus, objets miniatures, collages de mots. Six danseurs en duos qui se révèlent progressivement, jouant de textures d'interprétation variées, osant la digression pour confronter l'éphémère au passage réel du temps. Un tableau de Caspar David Friedrich inspire l'ambiguïté d'un duo. Des collages de mots de Guylaine Massoutre se frayent un chemin en chansons impromptues. Un espace de solitudes partagées, qui magnifie la danse autant que le geste minimal.","Louise Bédard sculpts space through encounters between bodies and materials: fabrics, miniature objects, word collages. Six dancers in duos that reveal themselves gradually, playing with textures of interpretation, daring digressions that confront the ephemeral with the real passage of time. A Caspar David Friedrich painting inspires the ambiguity of one duo. Word collages from Guylaine Massoutre find their way into impromptu songs. A space of shared solitudes that magnifies dance as much as the minimal gesture.","Louise Bédard formt den Raum durch Begegnungen zwischen Körpern und Materialien: Stoffe, Miniaturobjekte, Wortcollagen. Sechs Tänzer in Duos, die sich nach und nach offenbaren, mit Interpretationstexturen spielen, Abschweifungen wagen, die das Flüchtige mit dem realen Vergehen der Zeit konfrontieren. Ein Gemälde von Caspar David Friedrich inspiriert die Ambiguität eines Duos. Wortcollagen von Guylaine Massoutre finden ihren Weg in improvisierte Lieder. Ein Raum geteilter Einsamkeiten, der den Tanz ebenso wie die minimale Geste hervorhebt.",{"fr":72,"en":73,"de":74},{"fr":630,"en":631,"de":632},"Chorégraphie : Louise Bédard","Choreography: Louise Bédard","Choreografie: Louise Bédard",{"fr":634,"en":635,"de":636},"Agora de la danse, Montréal, 2020. 30e anniversaire de Louise Bédard Danse.","Agora de la danse, Montréal, 2020. 30th anniversary of Louise Bédard Danse.","Agora de la danse, Montréal, 2020. 30. Jubiläum von Louise Bédard Danse.",{"fr":638,"en":645,"de":646},{"Chorégraphie":639,"Interprète":640,"Composition originale":641,"Répétitrice":642,"Éclairages":29,"Direction technique":643,"Costumes":644},"Louise Bédard","Louis-Elyan Martin","Diane Labrosse","Christine Charles","Jean-François Piché","Marilène Bastien",{"Choreography":639,"Performer":640,"Original composition":641,"Rehearsal director":642,"Lighting design":29,"Technical direction":643,"Costumes":644},{"Choreografie":639,"Performerin":647,"Performer":640,"Originalkomposition":641,"Einstudierung":642,"Lichtdesign":29,"Technische Leitung":643,"Kostüme":644},"Marilyn Daoust",[649],{"source":650,"quote":651,"projectId":621},"Lien multimédia",{"fr":652,"en":653,"de":138},"Ce lien que la metteuse en scène veut nous faire ressentir se transpose tout d'abord par la scène, son décor et son ambiance. Tous les trois sont oniriques sans tomber dans l'excès ou le minimalisme. La tribune située au même niveau que le plancher des danseurs insiste d'entrée de jeu pour nous faire comprendre que ce spectacle ne se fera pas sans nous.","The connection the director wants us to feel is conveyed first through the stage, its set and its atmosphere. All three are dreamlike without falling into excess or minimalism. The seating at the same level as the dancers' floor insists from the outset that this show won't happen without us.",[],{"id":656,"name":657,"description":659,"role":663,"direction":667,"caption":671,"cast":675,"pressClippings":680,"hyperlinks":681},"tremolog",{"fr":658,"en":658,"de":658},"Tremolog",{"fr":660,"en":661,"de":662},"Pièce vidéo expérientielle qui pousse le langage corporel au maximum et tente un nouveau mode de communication avec des individus en isolement. Tremolog — tremor plus logue, une histoire. Mimi Jeong part de l'idée que tous les sons du corps remontent au mouvement et mène une analyse minutieuse par les vibrations, comme si elle disséquait un corps pour identifier la source de ce qui le rend complet. L'expression de la performeuse est réinterprétée en mouvement, transmise avec des sons électroniques issus d'un système technologique. Créé pendant le COVID-19 comme alternative à la performance live, comblant la distance physique entre une artiste à l'étranger et un public en Corée.","An experiential video piece that maximizes body language and attempts a new way of communication with individuals in isolation. Tremolog — tremor plus logue, a story. Mimi Jeong starts from the idea that all body sounds trace back to movement and conducts a minute analysis using vibrations, as if dissecting a body to identify the source of what makes it complete. The performer's utterance is reinterpreted into movement, delivered with electronic sounds from a technological system. Created during COVID-19 as an alternative to live performance, bridging the physical distance between an artist overseas and an audience in Korea.","Ein erfahrbares Videostück, das die Körpersprache maximiert und eine neue Kommunikationsform mit isolierten Individuen versucht. Tremolog — Tremor plus Logue, eine Geschichte. Mimi Jeong geht davon aus, dass alle Körpergeräusche auf Bewegung zurückgehen, und führt eine minutiöse Analyse durch Vibrationen durch, als würde sie einen Körper sezieren. Die Äußerung der Performerin wird in Bewegung umgedeutet, übermittelt mit elektronischen Klängen eines technologischen Systems. Während COVID-19 als Alternative zur Live-Performance geschaffen, die physische Distanz zwischen einer Künstlerin im Ausland und einem Publikum in Korea überbrückend.",{"fr":664,"en":665,"de":666},"Concept, mouvement et musique","Concept, Movement & Music","Konzept, Bewegung & Musik",{"fr":668,"en":669,"de":670},"Direction artistique, chorégraphie et performance : Mimi Jeong","Artistic direction, choreography & performance: Mimi Jeong","Künstlerische Leitung, Choreografie & Performance: Mimi Jeong",{"fr":672,"en":673,"de":674},"ZER01NE, Séoul, Corée du Sud, 2020. Artiste sélectionné.","ZER01NE, Seoul, South Korea, 2020. Selected artist.","ZER01NE, Seoul, Südkorea, 2020. Ausgewählter Künstler.",{"fr":676,"en":678,"de":679},{"Direction artistique, chorégraphie, performance, concept, mouvement et musique":220,"Concept, mouvement et musique":29,"Vidéo":677},"Hana Vojackova",{"Artistic direction, choreography, performance, concept, movement & music":220,"Concept, movement & music":29,"Video":677},{"Künstlerische Leitung, Choreografie, Performance, Konzept, Bewegung & Musik":220,"Konzept, Bewegung & Musik":29,"Video":677},[],[],{"id":683,"name":684,"description":686,"role":690,"direction":691,"caption":695,"cast":699,"pressClippings":707,"hyperlinks":708},"ensemble",{"fr":685,"en":685,"de":685},"Ensemble",{"fr":687,"en":688,"de":689},"Un projet né de la ténacité, de l'écoute, de l'entraide et de l'espoir. La chorégraphe Meryem Alaoui a réuni des artistes marocains et internationaux au Théâtre National Mohammed V à Rabat. Un travail en cours qui a exigé une écoute et une collaboration énormes entre les cultures. Pas toujours facile, mais ce qui a été accompli ensemble au Théâtre National a prouvé que le désir de continuer est toujours là.","A project born from tenacity, listening, mutual help and hope. Choreographer Meryem Alaoui brought together Moroccan and international artists at the Théâtre National Mohammed V in Rabat. A work-in-progress that demanded enormous listening and collaboration across cultures. Not always easy, but what was accomplished together at the National Theatre proved the desire to continue is still there.","Ein Projekt aus Beharrlichkeit, Zuhören, gegenseitiger Hilfe und Hoffnung. Die Choreografin Meryem Alaoui brachte marokkanische und internationale Künstler am Théâtre National Mohammed V in Rabat zusammen. Eine Arbeit, die enormes Zuhören und kulturübergreifende Zusammenarbeit erforderte. Nicht immer einfach, aber was gemeinsam am Nationaltheater erreicht wurde, bewies, dass der Wunsch weiterzumachen noch da ist.",{"fr":149,"en":150,"de":151},{"fr":692,"en":693,"de":694},"Chorégraphie : Meryem Alaoui \u002F Jasad Dance Projects","Choreography: Meryem Alaoui \u002F Jasad Dance Projects","Choreografie: Meryem Alaoui \u002F Jasad Dance Projects",{"fr":696,"en":697,"de":698},"Théâtre National Mohammed V, Rabat, Maroc, 2022","Théâtre National Mohammed V, Rabat, Morocco, 2022","Théâtre National Mohammed V, Rabat, Marokko, 2022",{"fr":700,"en":704,"de":705},{"Chorégraphie":701,"Interprète":702,"Scénographie et lumière":29,"Collaboration":703},"Meryem Alaoui","Hatim Belyamani","Abderrahman Sayad",{"Choreography":701,"Performer":702,"Set & lighting design":29,"Collaboration":703},{"Choreografie":701,"Performerin":706,"Performer":702,"Bühnenbild und Licht":29,"Mitarbeit":703},"Manal Tass",[],[],{"id":710,"name":711,"description":713,"role":717,"direction":718,"caption":722,"cast":726,"pressClippings":735,"hyperlinks":736},"der-nein-jasager",{"fr":712,"en":712,"de":712},"Der Nein\u002FJasager",{"fr":714,"en":715,"de":716},"Deux courts textes de Brecht aux récits identiques mais aux issues différentes, joués l'un après l'autre. L'opéra pour les écoles de Kurt Weill Der Jasager (1930) suivi d'une création mondiale : la composition de Martin Matalon pour Der Neinsager, commande de l'Orchestre Régional de Normandie. Inspiré d'un conte japonais du XVe siècle. Comment un acte passe-t-il d'événement à routine puis à tradition ? Le chœur est placé au centre — il organise le récit, le commente et construit l'espace. Incarnation scénique d'une communauté qui s'interroge.","Two short Brecht texts with identical stories but different endings, played one after the other. Kurt Weill's 1930 school opera Der Jasager followed by a world premiere: Martin Matalon's composition for Der Neinsager, commissioned by the Orchestre Régional de Normandie. Inspired by a 15th-century Japanese tale. How does an act pass from event to routine to tradition? The choir is placed at the center — organizing the story, commenting on it, building the space. An incarnation of a community that questions itself.","Zwei kurze Brecht-Texte mit identischen Geschichten aber unterschiedlichen Enden, nacheinander gespielt. Kurt Weills Schuloper Der Jasager (1930) gefolgt von einer Uraufführung: Martin Matalons Komposition für Der Neinsager, Auftragswerk des Orchestre Régional de Normandie. Inspiriert von einer japanischen Erzählung des 15. Jahrhunderts. Wie wird aus einem Ereignis eine Routine, aus einer Routine eine Tradition? Der Chor steht im Zentrum — er organisiert die Erzählung, kommentiert sie und baut den Raum. Die szenische Verkörperung einer Gemeinschaft, die sich hinterfragt.",{"fr":149,"en":150,"de":151},{"fr":719,"en":720,"de":721},"Mise en scène : Dorian Rossel et Delphine Lanza. Direction musicale : Olivier Opdebeeck","Direction: Dorian Rossel & Delphine Lanza. Musical direction: Olivier Opdebeeck","Regie: Dorian Rossel & Delphine Lanza. Musikalische Leitung: Olivier Opdebeeck",{"fr":723,"en":724,"de":725},"Théâtre de Caen, 2023. Création mondiale du Neinsager de Martin Matalon.","Théâtre de Caen, 2023. World premiere of Martin Matalon's Der Neinsager.","Théâtre de Caen, 2023. Uraufführung von Martin Matalons Der Neinsager.",{"fr":727,"en":733,"de":734},{"Mise en scène":604,"Direction musicale":728,"Composition (Der Neinsager)":729,"Scénographie et lumières":29,"Costumes":730,"La mère":731,"L'instituteur":732},"Olivier Opdebeeck","Martin Matalon","Sophie Ongaro","Mathilde Ortscheidt","Arnaud Richard",{"Direction":604,"Musical direction":728,"Composition (Der Neinsager)":729,"Set & lighting design":29,"Costumes":730,"The Mother":731,"The Teacher":732},{"Regie":604,"Musikalische Leitung":728,"Komposition (Der Neinsager)":729,"Bühnenbild und Licht":29,"Kostüme":730,"Die Mutter":731,"Der Lehrer":732},[],[],{"id":738,"name":739,"description":741,"role":745,"direction":749,"caption":753,"cast":755,"pressClippings":760,"hyperlinks":761},"nonverbal-communication",{"fr":740,"en":740,"de":740},"ㅇㅣ  nonverbal communication",{"fr":742,"en":743,"de":744},"Solo de danse explorant la relation entre un corps humain et son environnement structuré. La danseuse porte des gants à capteurs qui génèrent de la musique en direct et contrôlent un mobile suspendu au-dessus d'elle. Les sons proviennent du pionnier suisse de la musique électronique Bruno Spoerri. Courbe et ligne, deux caractères simples de l'écriture coréenne, sont devenus les figures clés du langage chorégraphique, spatial et musical. Comment leur combinaison peut-elle exprimer la complexité de l'existence ?","A solo dance performance exploring the interrelationship between a human body and its structured environment. The dancer wears sensor gloves that generate live music and control a mobile suspended above her. Sounds come from Swiss electronic music pioneer Bruno Spoerri. Curve and line, two simple characters from Korean script, became the key figures for the choreographic, spatial and musical language. How can their combination express the complexity of existence?","Ein Tanzsolo über die Beziehung zwischen einem menschlichen Körper und seiner strukturierten Umgebung. Die Tänzerin trägt Sensorhandschuhe, die Live-Musik erzeugen und ein Mobilé über ihr steuern. Die Klänge stammen vom Schweizer Pionier der elektronischen Musik Bruno Spoerri. Kurve und Linie, zwei einfache Zeichen der koreanischen Schrift, wurden zu den Schlüsselfiguren der choreografischen, räumlichen und musikalischen Sprache. Wie kann ihre Kombination die Komplexität der Existenz ausdrücken?",{"fr":746,"en":747,"de":748},"Concept, scénographie et lumière","Concept, set & lighting design","Konzept, Bühnen- und Lichtdesign",{"fr":750,"en":751,"de":752},"Concept, chorégraphie et danse : Mimi Jeong","Concept, choreography & dance: Mimi Jeong","Konzept, Choreografie & Tanz: Mimi Jeong",{"fr":754,"en":754,"de":754},"Entgleist Winterthur, P-bodies Leipzig, PROGR Bern, Uferstudios Berlin, 2017–2018",{"fr":756,"en":758,"de":759},{"Concept, chorégraphie et danse":220,"Concept, scénographie et lumière":29,"Son et composition musicale":757},"Bruno Spoerri",{"Concept, choreography & dance":220,"Concept, set & lighting design":29,"Sound & music composition":757},{"Konzept, Choreografie & Tanz":220,"Konzept, Bühnen- und Lichtdesign":29,"Klang & Komposition":757},[],[],{"id":763,"name":764,"description":768,"role":770,"direction":774,"caption":776,"cast":780,"pressClippings":784,"hyperlinks":785},"lab-robot-en-bois-sur-mesure",{"fr":765,"en":766,"de":767},"Robot en bois sur-mesure","Tailor made wooden robot","Maßgefertigter Holzroboter",{"fr":769,"en":769,"de":769},"Animal guettant sa proie ou bête captive de sa carapace et de sa trajectoire rigide? Chacun projette sur la machine au long cou ses peurs et ses fantasmes.",{"fr":771,"en":772,"de":773},"Recherche","Research","Forschung",{"fr":775,"en":775,"de":775},"",{"fr":777,"en":778,"de":779},"Robot performeur en bois sur mesure","Tailor made wooden robot performer","Maßgefertigter hölzerner Roboter-Performer",{"fr":781,"en":782,"de":783},{},{},{},[],[],{"id":787,"name":788,"description":792,"role":795,"direction":796,"caption":797,"cast":801,"pressClippings":805,"hyperlinks":806},"lab-rendu-3d-test-de-scenographie-sur-pivot",{"fr":789,"en":790,"de":791},"Rendu 3D: test de scénographie sur pivot","3D rendering: test for a pivotable set","3D-Rendering: Test eines drehbaren Bühnenbilds",{"fr":793,"en":794,"de":793},"Rendu 3D: test de scénographie sur pivot \u002F 3D rendering: test for a pivotable setImage: Cinema 4D","3D rendering: test for a pivotable setImage: Cinema 4D",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":798,"en":799,"de":800},"Laboratoire de recherche, 2023","Research lab, 2023","Forschungslabor, 2023",{"fr":802,"en":803,"de":804},{},{},{},[],[],{"id":808,"name":809,"description":813,"role":816,"direction":817,"caption":818,"cast":822,"pressClippings":826,"hyperlinks":827},"lab-tests-pour-un-sol-en-carton-recycle-mouille",{"fr":810,"en":811,"de":812},"Tests pour un sol en carton recyclé mouillé","Tests on a wet recycled cardboard floor","Tests für einen Boden aus nassem Recyclingkarton",{"fr":814,"en":815,"de":814},"Peu importe, car il y a LE décor. Une scénographie impressionnante oùdes averses régulières inondent des dizaines de cartons posés au sol etles désagrègent en une boue poisseuse.","Never mind, because there is THE set. Une scénographie impressionnante oùdes averses régulières inondent des dizaines de cartons posés au sol etles désagrègent en une boue poisseuse.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":819,"en":820,"de":821},"Tests pour un sol en carton recyclé humide","Tests for a wet recycled cardboard floor","Tests für einen Boden aus feuchtem Recyclingkarton",{"fr":823,"en":824,"de":825},{},{},{},[],[],{"id":829,"name":830,"description":833,"role":837,"direction":838,"caption":839,"cast":840,"pressClippings":844,"hyperlinks":845},"lab-havre-dinvestigation-culturelle",{"fr":831,"en":832,"de":832},"Havre d'Investigation Culturelle","Cultural Investigation Harbour",{"fr":834,"en":835,"de":836},"Le contenu des événements se précise aufil des rencontres, des temps de travail et de recherche : c’estle processus de création qui est mis à l’honneur et non plus uniquement le résultat. […] Pendant trois semaines […] les artistes-chercheur-euse-s prennent le risque de ne pas savoir de quoi la représentation du lendemain sera faite : s’emparent de vos questionnements et de vos observations pour imaginer la suite; s’appliquent à faire écho à cette période incertaine et insécure que nous vivons toutes et tous. Collaboration : cie Ici'Bas \u002F Le Castrum.","Le contenu des événements se précise aufil des rencontres, des temps de travail et de recherche : c’estle processus de création qui est mis à l’honneur et non plus uniquement le résultat. […] Pendant trois semaines […] les artistes-chercheur-euse-s prennent le risque de ne pas savoir de quoi la représentation du lendemain sera faite : s’emparent de vos questionnements et de vos observations pour imaginer la suite; s’appliquent à faire écho à cette période incertaine et insécure que nous vivons toutes et tous. Collaboration: cie Ici'Bas \u002F Le Castrum.","Le contenu des événements se précise aufil des rencontres, des temps de travail et de recherche : c’estle processus de création qui est mis à l’honneur et non plus uniquement le résultat. […] Pendant trois semaines […] les artistes-chercheur-euse-s prennent le risque de ne pas savoir de quoi la représentation du lendemain sera faite : s’emparent de vos questionnements et de vos observations pour imaginer la suite; s’appliquent à faire écho à cette période incertaine et insécure que nous vivons toutes et tous. Kollaboration : cie Ici'Bas \u002F Le Castrum.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":798,"en":799,"de":800},{"fr":841,"en":842,"de":843},{},{},{},[],[],{"id":847,"name":848,"description":852,"role":856,"direction":857,"caption":858,"cast":862,"pressClippings":866,"hyperlinks":867},"lab-tests-scenographiques-pour-un-theatre-en-telepresence",{"fr":849,"en":850,"de":851},"Tests scénographiques pour un théâtre en téléprésence","Scenographic tests for a telepresence theatre","Szenografische Tests für ein Telepräsenztheater",{"fr":853,"en":854,"de":855},"La scène et la salle ne sont plus des espaces physiques ou des espaces virtuels, mais une combinaison des deux. Les téléscènes permettent de repenser l’organisation spatiale de la scène et de la salle, de l’espace et de l’action, l’espace de l’écoute et du regard. Collaboration : insanë, Society for technological arts Montreal.","La scène et la salle ne sont plus des espaces physiques ou des espaces virtuels, mais une combinaison des deux. Les téléscènes permettent de repenser l’organisation spatiale de la scène et de la salle, de l’espace et de l’action, l’espace de l’écoute et du regard. Collaboration: insanë, Society for technological arts Montreal.","La scène et la salle ne sont plus des espaces physiques ou des espaces virtuels, mais une combinaison des deux. Les téléscènes permettent de repenser l’organisation spatiale de la scène et de la salle, de l’espace et de l’action, l’espace de l’écoute et du regard. Kollaboration : insanë, Society for technological arts Montreal.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":859,"en":860,"de":861},"Laboratoire de recherche, 2017","Research lab, 2017","Forschungslabor, 2017",{"fr":863,"en":864,"de":865},{},{},{},[],[],{"id":869,"name":870,"description":874,"role":878,"direction":879,"caption":880,"cast":884,"pressClippings":888,"hyperlinks":889},"lab-tests-de-structures-auto-porteuses",{"fr":871,"en":872,"de":873},"Tests de structures auto-porteuses","Testing self-supporting structures","Tests selbsttragender Strukturen",{"fr":875,"en":876,"de":877},"Collaboration : cie Ici'BasPhoto: Julien Brun.","Collaboration: cie Ici'BasPhoto: Julien Brun.","Kollaboration : cie Ici'BasFoto: Julien Brun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":881,"en":882,"de":883},"Test de structures autoportantes à construire en direct par les interprètes","Testing self-supporting structures to be built live by performers","Test selbsttragender Strukturen, live von den Darstellern gebaut",{"fr":885,"en":886,"de":887},{},{},{},[],[],{"id":891,"name":892,"description":896,"role":900,"direction":901,"caption":902,"cast":906,"pressClippings":910,"hyperlinks":911},"lab-tests-de-melange-de-lumiere-et-de-videoprojection-sur-un-obj",{"fr":893,"en":894,"de":895},"Tests de mélange de lumière et de vidéoprojection sur un objet organique","Tests on mixing lighting and videoprojection on organic object","Tests zur Mischung von Licht und Videoprojektion auf einem organischen Objekt",{"fr":897,"en":898,"de":899},"Tests de mélange de lumière et de vidéoprojection sur un objet organique \u002F Tests on mixing lighting and videoprojection on organic objectPhoto: Julien Brun","Tests on mixing lighting and videoprojection on organic objectPhoto: Julien Brun","Tests de mélange de lumière et de vidéoprojection sur un objet organique \u002F Tests on mixing lighting and videoprojection on organic objectFoto: Julien Brun",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":903,"en":904,"de":905},"Lumière + vidéoprojection sur objet organique","Lighting + videoprojection on organic object","Beleuchtung + Videoprojektion auf organischem Objekt",{"fr":907,"en":908,"de":909},{},{},{},[],[],{"id":913,"name":914,"description":918,"role":922,"direction":923,"caption":924,"cast":928,"pressClippings":932,"hyperlinks":933},"lab-tests-pour-un-sol-en-liege-avec-fontaine-dargile",{"fr":915,"en":916,"de":917},"Tests pour un sol en liège avec fontaine d'argile","Tests for a cork floor with clay fountain","Tests für einen Korkboden mit Tonbrunnen",{"fr":919,"en":920,"de":921},"Collaboration : Ateliers de la MDC de BourgesPhoto: Julien Brun.","Collaboration: Ateliers de la MDC de BourgesPhoto: Julien Brun.","Kollaboration : Ateliers de la MDC de BourgesFoto: Julien Brun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":925,"en":926,"de":927},"Laboratoire de recherche, 2020","Research lab, 2020","Forschungslabor, 2020",{"fr":929,"en":930,"de":931},{},{},{},[],[],{"id":935,"name":936,"description":940,"role":943,"direction":944,"caption":945,"cast":949,"pressClippings":953,"hyperlinks":954},"lab-explorer-lia-generative-et-rever-dun-espace-theatral",{"fr":937,"en":938,"de":939},"Explorer l'IA générative et rêver d'un espace théâtral","Exploring generative AI to \"dream up\" theatrical spaces","KI-generierte Erkundung theatraler Räume",{"fr":941,"en":942,"de":941},"Explorer l'IA générative et rêver d'un espace théâtral \u002F Exploring generative AI to \"dream up\" what makes a space theatricalImages: Midjourney AI","Exploring generative AI to \"dream up\" what makes a space theatricalImages: Midjourney AI",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":946,"en":947,"de":948},"Explorer l'IA générative pour ce qui rend un espace théâtral","Exploring generative AI for what makes a space theatrical","Erkundung generativer KI für das Theatralische eines Raums",{"fr":950,"en":951,"de":952},{},{},{},[],[],{"id":956,"name":957,"description":961,"role":965,"direction":966,"caption":967,"cast":968,"pressClippings":972,"hyperlinks":973},"lab-atelier-de-creation-pour-un-theatre-en-telepresence",{"fr":958,"en":959,"de":960},"Atelier de création pour un théâtre en téléprésence","Telepresence theater workshop","Kreativworkshop für ein Telepräsenztheater",{"fr":962,"en":963,"de":964},"Le théâtre n'existe que parce qu'il est hanté par des absences substantielles […]. La présence semble ne jamais pouvoir se penser dans une pureté sans détour, dans une totale immanence. La présence est toujours animée par une absence primordiale, un « spectre Collaboration : Conservatoire National d'Art Dramatique de Paris, Idéfi-Créatic, Université Paris Sciences et Lettres, Institut de recherche et d'innovation du Centre Pompidou.","Le théâtre n'existe que parce qu'il est hanté par des absences substantielles […]. La présence semble ne jamais pouvoir se penser dans une pureté sans détour, dans une totale immanence. La présence est toujours animée par une absence primordiale, un « spectre Collaboration: Conservatoire National d'Art Dramatique de Paris, Idéfi-Créatic, Université Paris Sciences et Lettres, Institut de recherche et d'innovation du Centre Pompidou.","Le théâtre n'existe que parce qu'il est hanté par des absences substantielles […]. La présence semble ne jamais pouvoir se penser dans une pureté sans détour, dans une totale immanence. La présence est toujours animée par une absence primordiale, un « spectre Kollaboration : Conservatoire National d'Art Dramatique de Paris, Idéfi-Créatic, Université Paris Sciences et Lettres, Institut de recherche et d'innovation du Centre Pompidou.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":859,"en":860,"de":861},{"fr":969,"en":970,"de":971},{},{},{},[],[],{"id":975,"name":976,"description":980,"role":983,"direction":984,"caption":985,"cast":988,"pressClippings":992,"hyperlinks":993},"lab-tests-3d-pour-un-mobile-led",{"fr":977,"en":978,"de":979},"Tests 3D pour un mobile LED","3D tests for a LED pendant","3D-Tests für ein LED-Mobile",{"fr":981,"en":982,"de":981},"Tests 3D pour un mobile LED \u002F 3D tests for a LED pendantImage: Cinema 4D","3D tests for a LED pendantImage: Cinema 4D",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":986,"en":987,"de":979},"Tests 3D pour un mobile à LED","3D tests for a LED mobile",{"fr":989,"en":990,"de":991},{},{},{},[],[],{"id":995,"name":996,"description":1000,"role":1004,"direction":1005,"caption":1006,"cast":1007,"pressClippings":1011,"hyperlinks":1012},"lab-96-solutions-et-contre-solutions-pour-un-theatre-pandemique",{"fr":997,"en":998,"de":999},"96 solutions et contre-solutions pour un théâtre pandémique","96 solutions and anti-solutions for a pandemic theater","96 Lösungen und Gegenlösungen für ein Pandemietheater",{"fr":1001,"en":1002,"de":1003},"1. An emergency theater,which provides first aid,stops floods, tends towounds and evacuatesthe injured. Collaboration : Mathias Reymond, Christine Daigle, Dimitri Hatton, Constance Bugnon.","1. An emergency theater,which provides first aid,stops floods, tends towounds and evacuatesthe injured. Collaboration: Mathias Reymond, Christine Daigle, Dimitri Hatton, Constance Bugnon.","1. An emergency theater,which provides first aid,stops floods, tends towounds and evacuatesthe injured. Kollaboration : Mathias Reymond, Christine Daigle, Dimitri Hatton, Constance Bugnon.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":925,"en":926,"de":927},{"fr":1008,"en":1009,"de":1010},{},{},{},[],[],{"id":1014,"name":1015,"description":1019,"role":1023,"direction":1024,"caption":1025,"cast":1029,"pressClippings":1033,"hyperlinks":1034},"lab-capteurs-de-proprioception",{"fr":1016,"en":1017,"de":1018},"Capteurs de proprioception","Proprioception sensing system","Propriozeptionssensorsystem",{"fr":1020,"en":1021,"de":1022},"Collaboration : Mimi Jeong, Robert Torche, ZER01NE Seoul.","Collaboration: Mimi Jeong, Robert Torche, ZER01NE Seoul.","Kollaboration : Mimi Jeong, Robert Torche, ZER01NE Seoul.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1026,"en":1027,"de":1028},"Système de captation proprioceptive pour une installation où la danse génère la musique","Proprioception sensing system for an installation where music is generated by dance","Propriozeptions-Erfassungssystem für eine Installation, in der Tanz Musik erzeugt",{"fr":1030,"en":1031,"de":1032},{},{},{},[],[],{"id":1036,"name":1037,"description":1041,"role":1043,"direction":1044,"caption":1045,"cast":1049,"pressClippings":1053,"hyperlinks":1054},"lab-croquis-pour-des",{"fr":1038,"en":1039,"de":1040},"Croquis pour des « montagnes invisibles » en peinture UV","Sketches for \"invisible mountains\" in UV paint","Skizzen für „unsichtbare Berge“ in UV-Farbe",{"fr":1042,"en":1042,"de":1042},"montagnes invisibles",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1046,"en":1047,"de":1048},"Laboratoire de recherche, 2022","Research lab, 2022","Forschungslabor, 2022",{"fr":1050,"en":1051,"de":1052},{},{},{},[],[],{"id":1056,"name":1057,"description":1061,"role":1064,"direction":1065,"caption":1066,"cast":1070,"pressClippings":1074,"hyperlinks":1075},"lab-explorations-esthetiques-en-marge-des-repetitions",{"fr":1058,"en":1059,"de":1060},"Explorations esthétiques en marge des répétitions","Aesthetic explorations alongside rehearsals","Ästhetische Erkundungen am Rande der Proben",{"fr":1062,"en":1063,"de":1062},"Explorations esthétiques en marge des répétitions \u002F Aesthetic explorations alongside rehearsalsImage: Photoshop","Aesthetic explorations alongside rehearsalsImage: Photoshop",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1067,"en":1068,"de":1069},"Explorations esthétiques par collage en marge des répétitions","Collage aesthetic explorations alongside rehearsals","Ästhetische Collage-Erkundungen am Rande der Proben",{"fr":1071,"en":1072,"de":1073},{},{},{},[],[],{"id":1077,"name":1078,"description":1082,"role":1086,"direction":1087,"caption":1088,"cast":1092,"pressClippings":1096,"hyperlinks":1097},"lab-interface-de-controle-sur-mesure-pour-creation-sonore-genere",{"fr":1079,"en":1080,"de":1081},"Interface de contrôle sur-mesure pour création sonore générée par le mouvement","Tailor made control interface for motion-generated sound creation","Maßgefertigte Steuerschnittstelle für bewegungserzeugte Klanggestaltung",{"fr":1083,"en":1084,"de":1085},"Collaboration : Robert Torch.","Collaboration: Robert Torch.","Kollaboration : Robert Torch.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1089,"en":1090,"de":1091},"Interface de contrôle pour un son généré par le mouvement et l'environnement","Control interface for motion+environment-generated sound","Steuerungsschnittstelle für durch Bewegung und Umgebung erzeugten Klang",{"fr":1093,"en":1094,"de":1095},{},{},{},[],[],{"id":1099,"name":1100,"description":1104,"role":1108,"direction":1109,"caption":1110,"cast":1114,"pressClippings":1118,"hyperlinks":1119},"lab-dispositifs-declairage-a-la-bougie",{"fr":1101,"en":1102,"de":1103},"Dispositifs d'éclairage à la bougie","Candle lighting systems","Kerzenbeleuchtungssysteme",{"fr":1105,"en":1106,"de":1107},"Collaboration : Sophie Besse, Renato Häusler.","Collaboration: Sophie Besse, Renato Häusler.","Kollaboration : Sophie Besse, Renato Häusler.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1111,"en":1112,"de":1113},"Dispositifs de lumière à la bougie sur mesure pour concerts","Custom candle lighting systems for concerts","Maßgefertigte Kerzenbeleuchtung für Konzerte",{"fr":1115,"en":1116,"de":1117},{},{},{},[],[],{"id":1121,"name":1122,"description":1126,"role":1130,"direction":1131,"caption":1132,"cast":1136,"pressClippings":1140,"hyperlinks":1141},"lab-mecanisme-miniature-pour-effet-de-fumee-dans-le-cheveux",{"fr":1123,"en":1124,"de":1125},"Mécanisme miniature pour effet de fumée dans le cheveux","Miniature smoke-in-the-hair mechanism","Miniaturmechanismus für einen Rauch-im-Haar-Effekt",{"fr":1127,"en":1128,"de":1129},"Mécanisme miniature pour effet de fumée dans le cheveux \u002F Miniature smoke-in-the-hair mechanismPhoto: Matthias Reymond","Miniature smoke-in-the-hair mechanismPhoto: Matthias Reymond","Mécanisme miniature pour effet de fumée dans le cheveux \u002F Miniature smoke-in-the-hair mechanismFoto: Matthias Reymond",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1133,"en":1134,"de":1135},"Laboratoire de recherche, 2018","Research lab, 2018","Forschungslabor, 2018",{"fr":1137,"en":1138,"de":1139},{},{},{},[],[],{"id":1143,"name":1144,"description":1148,"role":1152,"direction":1153,"caption":1154,"cast":1158,"pressClippings":1162,"hyperlinks":1163},"lab-labunknown22",{"fr":1145,"en":1146,"de":1147},"Système LEDs pour éclairage de maquettes","LED system for model lighting","LED-System für Modellbeleuchtung",{"fr":1149,"en":1150,"de":1151},"Collaboration : ARTOS, Gaël Chapuis.","Collaboration: ARTOS, Gaël Chapuis.","Kollaboration : ARTOS, Gaël Chapuis.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1155,"en":1156,"de":1157},"Laboratoire de recherche, 2024","Research lab, 2024","Forschungslabor, 2024",{"fr":1159,"en":1160,"de":1161},{},{},{},[],[],{"id":1165,"name":1166,"description":1170,"role":1174,"direction":1175,"caption":1176,"cast":1180,"pressClippings":1184,"hyperlinks":1185},"lab-tests-de-diffraction-multiple-de-la-lumiere-avec-des-prismes",{"fr":1167,"en":1168,"de":1169},"Tests de diffraction multiple de la lumière avec des prismes d'eau","Multiple diffraction light tests with water-based prisms","Tests zur Mehrfachbeugung von Licht mit Wasserprismen",{"fr":1171,"en":1172,"de":1173},"Tests de diffraction multiple de la lumière avec des prismes d'eau \u002F Multiple diffraction light tests with water-based prismsPhoto: Julien Brun","Multiple diffraction light tests with water-based prismsPhoto: Julien Brun","Tests de diffraction multiple de la lumière avec des prismes d'eau \u002F Multiple diffraction light tests with water-based prismsFoto: Julien Brun",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1177,"en":1178,"de":1179},"Laboratoire de recherche, 2021","Research lab, 2021","Forschungslabor, 2021",{"fr":1181,"en":1182,"de":1183},{},{},{},[],[],{"id":1187,"name":1188,"description":1192,"role":1196,"direction":1197,"caption":1198,"cast":1202,"pressClippings":1206,"hyperlinks":1207},"lab-partition-spatiale-pour-composition-musicale-et-choregraphiq",{"fr":1189,"en":1190,"de":1191},"Partition spatiale pour composition musicale et chorégraphique","Spatial score for musical and choreographic composition","Räumliche Partitur für musikalische und choreografische Komposition",{"fr":1193,"en":1194,"de":1195},"Collaboration : Mimi Jeong, Utku Yurttas.","Collaboration: Mimi Jeong, Utku Yurttas.","Kollaboration : Mimi Jeong, Utku Yurttas.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1199,"en":1200,"de":1201},"Partition spatiale pour musique et chorégraphie","Spatial score for music and choreography","Räumliche Partitur für Musik und Choreografie",{"fr":1203,"en":1204,"de":1205},{},{},{},[],[],{"id":1209,"name":1210,"description":1214,"role":1218,"direction":1219,"caption":1220,"cast":1224,"pressClippings":1228,"hyperlinks":1229},"lab-labunknown26",{"fr":1211,"en":1212,"de":1213},"Prototype d’un dispositif multi-capteurs","Multi-sensor device prototype","Prototyp eines Multi-Sensor-Geräts",{"fr":1215,"en":1216,"de":1217},"Collaboration : Jonathan Braun.","Collaboration: Jonathan Braun.","Kollaboration : Jonathan Braun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1221,"en":1222,"de":1223},"Prototype d'outil de mesure multi-capteurs","Multi-sensor measuring tool prototype","Prototyp eines Multisensor-Messgeräts",{"fr":1225,"en":1226,"de":1227},{},{},{},[],[],{"id":1231,"name":1232,"description":1235,"role":1239,"direction":1240,"caption":1241,"cast":1242,"pressClippings":1246,"hyperlinks":1247},"lab-workshops-theatre-en-telepresence",{"fr":1233,"en":1234,"de":1234},"Workshops Théâtre en téléprésence","Telepresence theatre workshops",{"fr":1236,"en":1237,"de":1238},"Collaboration : Conservatoire National d'Art Dramatique de Paris, Ecole nationale de théâtre du Canada, Société des arts technologiques, Ecole des Mines.","Collaboration: Conservatoire National d'Art Dramatique de Paris, Ecole nationale de théâtre du Canada, Société des arts technologiques, Ecole des Mines.","Kollaboration : Conservatoire National d'Art Dramatique de Paris, Ecole nationale de théâtre du Canada, Société des arts technologiques, Ecole des Mines.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":859,"en":860,"de":861},{"fr":1243,"en":1244,"de":1245},{},{},{},[],[],{"id":1249,"name":1250,"description":1254,"role":1255,"direction":1256,"caption":1257,"cast":1258,"pressClippings":1262,"hyperlinks":1263},"lab-logiciel-sur-mesure-pour-la-combinaison-et-lanalyse-de-spect",{"fr":1251,"en":1252,"de":1253},"Logiciel sur mesure pour la combinaison et l'analyse de spectres lumineux","Custom software for combining and analyzing light spectra","Software zur Kombination und Analyse von Lichtspektren",{"fr":1215,"en":1216,"de":1217},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":798,"en":799,"de":800},{"fr":1259,"en":1260,"de":1261},{},{},{},[],[],{"id":1265,"name":1266,"description":1270,"role":1274,"direction":1275,"caption":1276,"cast":1280,"pressClippings":1284,"hyperlinks":1285},"lab-atelier-de-recherche-dramaturgique-pour-un-theatre-en-telepr",{"fr":1267,"en":1268,"de":1269},"Atelier de recherche dramaturgique pour un théâtre en téléprésence","Workshop on dramaturgical research for telepresence theater","Workshop zur dramaturgischen Forschung für ein Telepräsenztheater",{"fr":1271,"en":1272,"de":1273},"Collaboration : Conservatoire National d'Art Dramatique de Paris, Idéfi-Créatic, Université Paris Sciences et Lettres, Institut de recherche et d'innovation du Centre Pompidou.","Collaboration: Conservatoire National d'Art Dramatique de Paris, Idéfi-Créatic, Université Paris Sciences et Lettres, Institut de recherche et d'innovation du Centre Pompidou.","Kollaboration : Conservatoire National d'Art Dramatique de Paris, Idéfi-Créatic, Université Paris Sciences et Lettres, Institut de recherche et d'innovation du Centre Pompidou.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1277,"en":1278,"de":1279},"Atelier de recherche dramaturgique pour le théâtre en téléprésence","Workshop on dramaturgical research for telepresence theatre","Workshop zur dramaturgischen Forschung für Telepräsenz-Theater",{"fr":1281,"en":1282,"de":1283},{},{},{},[],[],{"id":1287,"name":1288,"description":1292,"role":1293,"direction":1294,"caption":1295,"cast":1299,"pressClippings":1303,"hyperlinks":1304},"lab-matieres-et-espace-pour-composition-musicale-et-choregraphiq",{"fr":1289,"en":1290,"de":1291},"Matières et espace pour composition musicale et chorégraphique","Materials and space for musical and choreographic composition","Materie und Raum für musikalische und choreografische Komposition",{"fr":1193,"en":1194,"de":1195},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1296,"en":1297,"de":1298},"Recherche de matériaux pour une scénographie comme instrument de musique","Materials research for a set design as a music instrument","Materialforschung für ein Bühnenbild als Musikinstrument",{"fr":1300,"en":1301,"de":1302},{},{},{},[],[],{"id":1306,"name":1307,"description":1311,"role":1313,"direction":1314,"caption":1315,"cast":1319,"pressClippings":1323,"hyperlinks":1324},"lab-schema-synoptique-pour-un-robot",{"fr":1308,"en":1309,"de":1310},"Schéma synoptique pour un robot","Block diagram for a robot","Blockschaltbild für einen Roboter",{"fr":1312,"en":1312,"de":1312},"5 degrees of freedom",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1316,"en":1317,"de":1318},"Schéma de principe pour un robot danseur en bois","Block diagram for a wooden robot dance performer","Blockschaltbild für einen hölzernen Roboter-Tänzer",{"fr":1320,"en":1321,"de":1322},{},{},{},[],[],{"id":1326,"name":1327,"description":1331,"role":1332,"direction":1333,"caption":1334,"cast":1335,"pressClippings":1339,"hyperlinks":1340},"lab-tests-peinture-uv-sur-tissu-sculpte",{"fr":1328,"en":1329,"de":1330},"Tests peinture UV sur tissu sculpté","UV paint tests on sculpted fabric","UV-Farbtests auf skulptiertem Stoff",{"fr":1042,"en":1042,"de":1042},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1046,"en":1047,"de":1048},{"fr":1336,"en":1337,"de":1338},{},{},{},[],[],{"id":1342,"name":1343,"description":1347,"role":1351,"direction":1352,"caption":1353,"cast":1357,"pressClippings":1361,"hyperlinks":1362},"lab-experimentations-sur-une-partition-scenographique",{"fr":1344,"en":1345,"de":1346},"Expérimentations sur une partition scénographique","Experiments on a scenographic score","Experimente zu einer szenografischen Partitur",{"fr":1348,"en":1349,"de":1350},"\u002F Experimentations on Collaboration : Mimi Jeong, Seoul Dance Center.","\u002F Experimentations on Collaboration: Mimi Jeong, Seoul Dance Center.","\u002F Experimentations on Kollaboration : Mimi Jeong, Seoul Dance Center.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1354,"en":1355,"de":1356},"Laboratoire de recherche, 2016","Research lab, 2016","Forschungslabor, 2016",{"fr":1358,"en":1359,"de":1360},{},{},{},[],[],{"id":1364,"name":1365,"description":1369,"role":1373,"direction":1374,"caption":1375,"cast":1379,"pressClippings":1383,"hyperlinks":1384},"lab-mecanismes-pour-la-rotation-infinie-delements-leds-multi-can",{"fr":1366,"en":1367,"de":1368},"Mécanismes pour la rotation infinie d'éléments LEDs multi-canaux","Mechanisms for infinite rotation of multi-channel LEDs elements","Mechanismen für die endlose Rotation mehrkanaliger LED-Elemente",{"fr":1370,"en":1371,"de":1372},"Collaboration : Greg WattebledPhoto: Greg Wattebled.","Collaboration: Greg WattebledPhoto: Greg Wattebled.","Kollaboration : Greg WattebledFoto: Greg Wattebled.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1376,"en":1377,"de":1378},"Système sur mesure pour la rotation infinie de LED multi-canaux","Custom system for the infinite rotation of multi-channel LEDs","Maßgefertigtes System zur unendlichen Rotation mehrkanaliger LEDs",{"fr":1380,"en":1381,"de":1382},{},{},{},[],[],{"id":1386,"name":1387,"description":1391,"role":1395,"direction":1396,"caption":1397,"cast":1401,"pressClippings":1405,"hyperlinks":1406},"lab-depuis-lenchevetrement-des-vecteurs-spatiaux-dun-espace-thea",{"fr":1388,"en":1389,"de":1390},"Depuis l'enchevêtrement des vecteurs spatiaux d'un espace théâtral jusqu'à une proposition de mosaïque pour une partition scénographique","From the tangle of spatial vectors in a theater space to a proposal for a mosaic scenographic score","Vom Gewirr der Raumvektoren eines Theaterraums zu einem Mosaikentwurf für eine szenografische Partitur",{"fr":1392,"en":1393,"de":1394},"Collaboration : Mimi Jeong.","Collaboration: Mimi Jeong.","Kollaboration : Mimi Jeong.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1398,"en":1399,"de":1400},"Conception inspirée de l'enchevêtrement des vecteurs spatiaux du théâtre","Design inspired from the tangle of the theatres spatial vectors","Entwurf inspiriert vom Geflecht der räumlichen Vektoren des Theaters",{"fr":1402,"en":1403,"de":1404},{},{},{},[],[],{"id":1408,"name":1409,"description":1413,"role":1417,"direction":1418,"caption":1419,"cast":1423,"pressClippings":1427,"hyperlinks":1428},"lab-a-la-recherche-du-rythme-dun-espace-theatral",{"fr":1410,"en":1411,"de":1412},"À la recherche du rythme d'un espace théâtral","In search of the rhythm of a theatrical space","Auf der Suche nach dem Rhythmus eines Theaterraums",{"fr":1414,"en":1415,"de":1416},"Collaboration : Louise Bédard, Agora de la danse.","Collaboration: Louise Bédard, Agora de la danse.","Kollaboration : Louise Bédard, Agora de la danse.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1420,"en":1421,"de":1422},"À la recherche du rythme d'un espace théâtral avec gradins en L","In search of the rhythm of a theatrical space with L-shaped audience seating","Auf der Suche nach dem Rhythmus eines Theaterraums mit L-förmiger Bestuhlung",{"fr":1424,"en":1425,"de":1426},{},{},{},[],[],{"id":1430,"name":1431,"description":1435,"role":1439,"direction":1440,"caption":1441,"cast":1445,"pressClippings":1449,"hyperlinks":1450},"lab-interactions-avec-le-corps-en-scene-experimentations-autour-",{"fr":1432,"en":1433,"de":1434},"Interactions avec le corps en scène : expérimentations autour du mapping interactif","Interaction with the body on stage: experiments with interactive mapping","Interaktion mit dem Körper auf der Bühne: Experimente mit interaktivem Mapping",{"fr":1436,"en":1437,"de":1438},"Collaboration : Laurent Schaer, Sylvain Béland, Malcom Mendez, Laurent AnnoniPhoto: Julien Brun.","Collaboration: Laurent Schaer, Sylvain Béland, Malcom Mendez, Laurent AnnoniPhoto: Julien Brun.","Kollaboration : Laurent Schaer, Sylvain Béland, Malcom Mendez, Laurent AnnoniFoto: Julien Brun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1442,"en":1443,"de":1444},"Interaction en direct avec les corps dans l'espace","Live interaction with bodies in space","Live-Interaktion mit Körpern im Raum",{"fr":1446,"en":1447,"de":1448},{},{},{},[],[],{"id":1452,"name":1453,"description":1457,"role":1461,"direction":1462,"caption":1463,"cast":1464,"pressClippings":1468,"hyperlinks":1469},"lab-rendu-3d-dun-dispositif-scene-salle-sur-mesure-pour-un-espac",{"fr":1454,"en":1455,"de":1456},"Rendu 3D d'un dispositif scène-salle sur-mesure pour un espace théâtral patrimonial","3D rendering of a custom-made stage-room set-up for a heritage theater space","3D-Rendering einer maßgefertigten Bühne-Saal-Anordnung für einen denkmalgeschützten Theaterraum",{"fr":1458,"en":1459,"de":1460},"Collaboration : Eric Devanthéry.","Collaboration: Eric Devanthéry.","Kollaboration : Eric Devanthéry.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1177,"en":1178,"de":1179},{"fr":1465,"en":1466,"de":1467},{},{},{},[],[],{"id":1471,"name":1472,"description":1476,"role":1477,"direction":1478,"caption":1479,"cast":1480,"pressClippings":1484,"hyperlinks":1485},"lab-schema-electronique-dun-prototype-de-dispositif-multi-capteu",{"fr":1473,"en":1474,"de":1475},"Schéma électronique d'un prototype de dispositif multi-capteurs","Electronic schematic of a prototype multi-sensor device","Schaltplan eines Prototyps eines Multisensor-Geräts",{"fr":1215,"en":1216,"de":1217},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1177,"en":1178,"de":1179},{"fr":1481,"en":1482,"de":1483},{},{},{},[],[],{"id":1487,"name":1488,"description":1492,"role":1496,"direction":1497,"caption":1498,"cast":1502,"pressClippings":1506,"hyperlinks":1507},"lab-diffuseur-tres-grand-format-avec-source-leds-rgbw-sur-mesure",{"fr":1489,"en":1490,"de":1491},"Diffuseur très grand format avec source LEDs RGBW sur-mesure de haute qualité","Extra-large format diffuser with custom high-quality RGBW LEDs source","Großformatiger Diffusor mit maßgefertigter, hochwertiger RGBW-LED-Quelle",{"fr":1493,"en":1494,"de":1495},"Diffuseur très grand format avec source LEDs RGBW sur-mesure de haute qualité \u002F Extra-large format diffuser with custom high-quality RGBW LEDs sourcePhoto: Julien Brun","Extra-large format diffuser with custom high-quality RGBW LEDs sourcePhoto: Julien Brun","Diffuseur très grand format avec source LEDs RGBW sur-mesure de haute qualité \u002F Extra-large format diffuser with custom high-quality RGBW LEDs sourceFoto: Julien Brun",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1499,"en":1500,"de":1501},"Diffuseur grand format sur mesure comme source principale, avec LED RGBW sur mesure","Custom made XL-format diffuser as main lighting source, with custom RGBW LEDs","Maßgefertigter XL-Diffusor als Hauptlichtquelle, mit maßgefertigten RGBW-LEDs",{"fr":1503,"en":1504,"de":1505},{},{},{},[],[],{"id":1509,"name":1510,"description":1514,"role":1517,"direction":1518,"caption":1519,"cast":1523,"pressClippings":1527,"hyperlinks":1528},"lab-tests-de-geometrie",{"fr":1511,"en":1512,"de":1513},"Tests de géométrie","Geometry tests","Geometrietests",{"fr":1515,"en":1516,"de":1515},"Tests de géométrie \u002F Geometry testsImage: rendu 3D Vectorworks \u002F Vectorworks 3D rendering","Geometry testsImage: rendu 3D Vectorworks \u002F Vectorworks 3D rendering",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1520,"en":1521,"de":1522},"Tests 3D de géométrie\u002Fvolumes pour un grand lustre scénique","3D geometry\u002Fvolumes tests for a huge stage lighting pendant","3D-Geometrie-\u002FVolumentests für einen großen Bühnenleuchter",{"fr":1524,"en":1525,"de":1526},{},{},{},[],[],{"id":1530,"name":1531,"description":1535,"role":1539,"direction":1540,"caption":1541,"cast":1542,"pressClippings":1546,"hyperlinks":1547},"lab-brevet-federal-de-regisseur-e-lumiere",{"fr":1532,"en":1533,"de":1534},"Brevet fédéral de régisseur-e lumière","Federal diploma for lighting managers","Eidgenössischer Fachausweis für Lichttechnik",{"fr":1536,"en":1537,"de":1538},"Collaboration : ARTOS.","Collaboration: ARTOS.","Kollaboration : ARTOS.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1155,"en":1156,"de":1157},{"fr":1543,"en":1544,"de":1545},{},{},{},[],[],{"id":1549,"name":1550,"description":1554,"role":1558,"direction":1559,"caption":1560,"cast":1563,"pressClippings":1567,"hyperlinks":1568},"lab-tests-pour-un-sol-en-argile",{"fr":1551,"en":1552,"de":1553},"Tests pour un sol en argile","Tests on a clay floor","Tests für einen Tonboden",{"fr":1555,"en":1556,"de":1557},"Tests pour un sol en argile \u002F Tests on a clay floorPhoto: Julien Brun","Tests on a clay floorPhoto: Julien Brun","Tests pour un sol en argile \u002F Tests on a clay floorFoto: Julien Brun",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1551,"en":1561,"de":1562},"Tests for a clay floor","Tests für einen Lehmboden",{"fr":1564,"en":1565,"de":1566},{},{},{},[],[],{"id":1570,"name":1571,"description":1575,"role":1579,"direction":1580,"caption":1581,"cast":1582,"pressClippings":1586,"hyperlinks":1587},"lab-tests-pour-une-suspension-qui-diffracte-la-lumiere",{"fr":1572,"en":1573,"de":1574},"Tests pour une suspension qui diffracte la lumière","Tests for a light-diffracting pendant","Tests für eine lichtbrechende Hängeleuchte",{"fr":1576,"en":1577,"de":1578},"Collaboration : Opéra de BordeauxPhoto: Julien Brun.","Collaboration: Opéra de BordeauxPhoto: Julien Brun.","Kollaboration : Opéra de BordeauxFoto: Julien Brun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1177,"en":1178,"de":1179},{"fr":1583,"en":1584,"de":1585},{},{},{},[],[],{"id":1589,"name":1590,"description":1594,"role":1595,"direction":1596,"caption":1597,"cast":1600,"pressClippings":1604,"hyperlinks":1605},"lab-labunknown53",{"fr":1591,"en":1592,"de":1593},"Système LEDs pour éclairage de maquettes (vue d’ensemble)","LED system for model lighting (overview)","LED-System für Modellbeleuchtung (Gesamtansicht)",{"fr":1149,"en":1150,"de":1151},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1598,"en":1146,"de":1599},"Système LED pour l'éclairage de maquettes","LED-System für die Modellbeleuchtung",{"fr":1601,"en":1602,"de":1603},{},{},{},[],[],{"id":1607,"name":1608,"description":1612,"role":1613,"direction":1614,"caption":1615,"cast":1619,"pressClippings":1623,"hyperlinks":1624},"lab-design-de-circuit-imprime-sur-mesure-pour-un-prototype-de-di",{"fr":1609,"en":1610,"de":1611},"Design de circuit imprimé sur mesure pour un prototype de dispositif multi-capteurs","Custom PCB layout of a multi-sensors device prototype","Maßgefertigtes Leiterplattendesign für einen Multisensor-Geräteprototyp",{"fr":1215,"en":1216,"de":1217},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1616,"en":1617,"de":1618},"Circuit imprimé sur mesure, outil de mesure multi-capteurs","Custom PCB layout, multi-sensor measuring tool","Maßgefertigtes Leiterplattenlayout, Multisensor-Messgerät",{"fr":1620,"en":1621,"de":1622},{},{},{},[],[],{"id":1626,"name":1627,"description":1631,"role":1635,"direction":1636,"caption":1637,"cast":1638,"pressClippings":1642,"hyperlinks":1643},"lab-dispositif-integre-pour-un-lustre-de-fumee",{"fr":1628,"en":1629,"de":1630},"Dispositif intégré pour un lustre de fumée","Integrated device for a smoking luster","Integrierte Vorrichtung für einen Rauchleuchter",{"fr":1632,"en":1633,"de":1634},"Collaboration : Laurent BoulangerPhoto: Julien Brun.","Collaboration: Laurent BoulangerPhoto: Julien Brun.","Kollaboration : Laurent BoulangerFoto: Julien Brun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1177,"en":1178,"de":1179},{"fr":1639,"en":1640,"de":1641},{},{},{},[],[],{"id":1645,"name":1646,"description":1650,"role":1654,"direction":1655,"caption":1656,"cast":1657,"pressClippings":1661,"hyperlinks":1662},"lab-explorations-de-differents-types-de-lentilles-sur-mesure-pou",{"fr":1647,"en":1648,"de":1649},"Explorations de différents types de lentilles sur-mesure pour la lumière","Exploring different types of custom light lenses","Erkundung verschiedener maßgefertigter Lichtlinsen",{"fr":1651,"en":1652,"de":1653},"Explorations de différents types de lentilles sur-mesure pour la lumière \u002F Exploring different types of custom light lenses Photo: Julien Brun","Exploring different types of custom light lenses Photo: Julien Brun","Explorations de différents types de lentilles sur-mesure pour la lumière \u002F Exploring different types of custom light lenses Foto: Julien Brun",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1177,"en":1178,"de":1179},{"fr":1658,"en":1659,"de":1660},{},{},{},[],[],{"id":1664,"name":1665,"description":1669,"role":1673,"direction":1674,"caption":1675,"cast":1679,"pressClippings":1683,"hyperlinks":1684},"lab-schema-synoptique-dun-systeme-declairage-de-maquettes-haute-",{"fr":1666,"en":1667,"de":1668},"Schéma synoptique d'un système d'éclairage de maquettes haute qualité pour utilisateurs multiples","Block diagram of a high-quality, multi-user model lighting system","Blockschaltbild eines hochwertigen Modellbeleuchtungssystems für mehrere Nutzer",{"fr":1670,"en":1671,"de":1672},"Collaboration : ARTOS, Gaël Chapuis, Jonathan Braun.","Collaboration: ARTOS, Gaël Chapuis, Jonathan Braun.","Kollaboration : ARTOS, Gaël Chapuis, Jonathan Braun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1676,"en":1677,"de":1678},"Schéma synoptique d'un dispositif de contrôle d'éclairage multi-utilisateurs sur mesure","synoptic diagram of a custom designed multi-user lighting control setup","Synoptisches Diagramm einer maßgefertigten Mehrbenutzer-Lichtsteuerung",{"fr":1680,"en":1681,"de":1682},{},{},{},[],[],{"id":1686,"name":1687,"description":1691,"role":1695,"direction":1696,"caption":1697,"cast":1701,"pressClippings":1705,"hyperlinks":1706},"lab-maquettes-de-structures-scenographiques-variations",{"fr":1688,"en":1689,"de":1690},"Maquettes de structures scénographiques (variations)","Models of scenographic structures (variations)","Modelle szenografischer Strukturen (Variationen)",{"fr":1692,"en":1693,"de":1694},"Collaboration : Cristina TodorovaPhoto: Julien Brun.","Collaboration: Cristina TodorovaPhoto: Julien Brun.","Kollaboration : Cristina TodorovaFoto: Julien Brun.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1698,"en":1699,"de":1700},"Laboratoire de recherche, 2019","Research lab, 2019","Forschungslabor, 2019",{"fr":1702,"en":1703,"de":1704},{},{},{},[],[],{"id":1708,"name":1709,"description":1713,"role":1714,"direction":1715,"caption":1716,"cast":1720,"pressClippings":1724,"hyperlinks":1725},"lab-schema-synoptique-dun-dispositif-leds-haute-qualite-pour-mar",{"fr":1710,"en":1711,"de":1712},"Schéma synoptique d'un dispositif LEDs haute qualité pour marionnettistes","Block diagram of a high-quality LEDs device for puppeteers","Blockschaltbild eines hochwertigen LED-Geräts für Puppenspieler",{"fr":1215,"en":1216,"de":1217},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1717,"en":1718,"de":1719},"LED portatives haut de gamme sur mesure pour marionnettistes","Custom-designed high-quality handheld LEDs for puppeteers","Maßgefertigte hochwertige Handheld-LEDs für Puppenspieler",{"fr":1721,"en":1722,"de":1723},{},{},{},[],[],{"id":1727,"name":1728,"description":1732,"role":1736,"direction":1737,"caption":1738,"cast":1739,"pressClippings":1743,"hyperlinks":1744},"lab-tests-3d-pour-la-lumiere-integree-dune-scenographie-dopera",{"fr":1729,"en":1730,"de":1731},"Tests 3D pour la lumière intégrée d'une scénographie d'opéra","3D tests for the integrated lighting of an opera set","3D-Tests für die integrierte Beleuchtung eines Opernbühnenbilds",{"fr":1733,"en":1734,"de":1735},"Collaboration : Festival international d'art lyrique d'Aix-en-Provence.","Collaboration: Festival international d'art lyrique d'Aix-en-Provence.","Kollaboration : Festival international d'art lyrique d'Aix-en-Provence.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1698,"en":1699,"de":1700},{"fr":1740,"en":1741,"de":1742},{},{},{},[],[],{"id":1746,"name":1747,"description":1751,"role":1752,"direction":1753,"caption":1754,"cast":1758,"pressClippings":1762,"hyperlinks":1763},"lab-dispositif-leds-rgbauw-sans-fil-et-haute-qualite-pour-marion",{"fr":1748,"en":1749,"de":1750},"Dispositif LEDs RGBAUW sans-fil et haute qualité pour marionnettistes","High-quality wireless RGBAUW LEDs device for puppeteers","Hochwertiges kabelloses RGBAUW-LED-Gerät für Puppenspieler",{"fr":1215,"en":1216,"de":1217},{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1755,"en":1756,"de":1757},"Sources LED portatives haut de gamme sur mesure pour marionnettistes","Custom-designed high-quality handheld LEDs sources for puppeteers","Maßgefertigte hochwertige Handheld-LED-Quellen für Puppenspieler",{"fr":1759,"en":1760,"de":1761},{},{},{},[],[],{"id":1765,"name":1766,"description":1770,"role":1774,"direction":1775,"caption":1776,"cast":1780,"pressClippings":1784,"hyperlinks":1785},"lab-exploration-installative-de-la",{"fr":1767,"en":1768,"de":1769},"Exploration installative de la lumière","Installative exploration of light","Installative Lichtexploration",{"fr":1771,"en":1772,"de":1773},"Mécanique de la violence Collaboration : Romain Huck.","Mécanique de la violence Collaboration: Romain Huck.","Mécanique de la violence Kollaboration : Romain Huck.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1777,"en":1778,"de":1779},"Installations explorant la mécanique de la violence","Installations exploring the mechanics of violence","Installationen zur Mechanik der Gewalt",{"fr":1781,"en":1782,"de":1783},{},{},{},[],[],{"id":1787,"name":1788,"description":1790,"role":1794,"direction":1795,"caption":1799,"cast":1801,"pressClippings":1817,"hyperlinks":1818},"graals",{"fr":1789,"en":1789,"de":1789},"Graals",{"fr":1791,"en":1792,"de":1793},"Mystère lyrique en trois actes pour comédiens, chanteurs, continuo et électronique. Musiques de Henry Purcell et Kevin Juillerat, livret de Luc Birraux. Aux origines d'une quête irrésolue : une terre promise, un peuple élu, un flanc percé, un calice rempli à ras bord. Marie-Madeleine, Joseph d'Arimathie, et une multitude de récits. Quatre chanteurs lyriques et trois comédiens traversent un récit inédit qui fait dialoguer le King Arthur de Purcell avec une création pour ensemble baroque augmenté d'électronique live.","A lyrical mystery in three acts for actors, singers, continuo and electronics. Music by Henry Purcell and Kevin Juillerat, libretto by Luc Birraux. At the origins of an unresolved quest: a promised land, a chosen people, a pierced side, a chalice filled to the brim. Mary Magdalene, Joseph of Arimathea, and a multitude of stories. Four lyric singers and three actors cross an original narrative that makes Purcell's King Arthur dialogue with a new composition for augmented baroque ensemble and live electronics.","Ein lyrisches Mysterium in drei Akten für Schauspieler, Sänger, Continuo und Elektronik. Musik von Henry Purcell und Kevin Juillerat, Libretto von Luc Birraux. Am Ursprung einer ungelösten Suche: ein gelobtes Land, ein auserwähltes Volk, eine durchbohrte Seite, ein bis zum Rand gefüllter Kelch. Maria Magdalena, Joseph von Arimathäa und eine Vielzahl von Geschichten. Vier lyrische Sänger und drei Schauspieler durchqueren eine originale Erzählung, die Purcells King Arthur mit einer neuen Komposition für erweitertes Barockensemble und Live-Elektronik in Dialog bringt.",{"fr":149,"en":150,"de":151},{"fr":1796,"en":1797,"de":1798},"Livret et mise en scène : Luc Birraux. Direction musicale : Antoine Rebstein","Libretto & direction: Luc Birraux. Musical direction: Antoine Rebstein","Libretto & Regie: Luc Birraux. Musikalische Leitung: Antoine Rebstein",{"fr":1800,"en":1800,"de":1800},"La Cité Bleue \u002F Grand Théâtre de Genève, Théâtre du Jorat, 2024–2025",{"fr":1802,"en":1815,"de":1816},{"Livret et mise en scène":28,"Composition":1803,"Direction musicale":1804,"Soprano":1805,"Mezzo-soprano":1806,"Contre-ténor":1807,"Basse":1808,"Comédien":1809,"Comédienne":1810,"Scénographie et lumières":29,"Costumes":1811,"Collaboration artistique et iconographie":1812,"Direction de production":1813,"Assistant à la mise en scène":1814},"Kevin Juillerat","Antoine Rebstein","Charlotte Bozzi","Marielou Jacquard","William Shelton","Mark Kurmabayev","Alain Maratrat","Beatriz Sayad","Benjamin Broillet","Margaux Opinel","Daphné Bengoa","Xavier Perez",{"Libretto & direction":28,"Composition":1803,"Musical direction":1804,"Soprano":1805,"Mezzo-soprano":1806,"Counter-tenor":1807,"Bass":1808,"Actor":1809,"Actress":1810,"Set & lighting design":29,"Costumes":1811,"Artistic collaboration & iconography":1812,"Production director":1813,"Assistant director":1814},{"Libretto & Regie":28,"Komposition":1803,"Musikalische Leitung":1804,"Sopran":1805,"Mezzosopran":1806,"Countertenor":1807,"Bass":1808,"Schauspieler":1809,"Schauspielerin":1810,"Bühnenbild und Licht":29,"Kostüme":1811,"Künstlerische Mitarbeit & Ikonografie":1812,"Produktionsleitung":1813,"Regieassistent":1814},[],[],{"id":1820,"name":1821,"description":1823,"role":1827,"direction":1831,"caption":1832,"cast":1836,"pressClippings":1840,"hyperlinks":1841},"bougeoirs-candleholder",{"fr":1822,"en":1822,"de":1822},"Bougeoirs \u002F Candleholder",{"fr":1824,"en":1825,"de":1826},"Objets de design. Bougeoirs conçus et réalisés par Julien Brun.","Design objects. Candleholders conceived and realized by Julien Brun.","Designobjekte. Kerzenhalter entworfen und realisiert von Julien Brun.",{"fr":1828,"en":1829,"de":1830},"Créateur","Creator","Gestalter",{"fr":29,"en":29,"de":29},{"fr":1833,"en":1834,"de":1835},"Genève, Suisse, 2014","Geneva, Switzerland, 2014","Genf, Schweiz, 2014",{"fr":1837,"en":1838,"de":1839},{},{},{},[],[],{"id":1843,"name":1844,"description":1846,"role":1850,"direction":1853,"caption":1857,"cast":1861,"pressClippings":1873,"hyperlinks":1874},"opera-obscura",{"fr":1845,"en":1845,"de":1845},"Opera Obscura",{"fr":1847,"en":1848,"de":1849},"Une nuit au théâtre, du soir au matin. Souper, performances, concerts, apparitions, sommeil, rêves peut-être. Armés de votre sac de couchage et de votre brosse à dents, partez à la conquête du monde des rêves et de la nuit dans un joyeux rituel collectif. Performances de Louis Sé, repas-conférence onirique d'Élodie Hervier, création transdisciplinaire avec Noémie Griess, Julie Bugnard et Valérie Liengme, musique de Paul Courlet, séance d'hypnose, et réveil à l'aube au bord du lac.","A night at the theater, from evening to morning. Dinner, performances, concerts, apparitions, sleep, dreams. Bring your sleeping bag and toothbrush. Olivia Csiky Trnka and accomplices invite you to squat Le Pommier in a joyful collective ritual — a conquest of the world of dreams and night. Performances by Louis Sé, a dream-themed dinner-lecture by Élodie Hervier, a transdisciplinary creation with Noémie Griess, Julie Bugnard and Valérie Liengme, music by Paul Courlet, a hypnosis session, and a dawn awakening on the lake.","Eine Nacht im Theater, vom Abend bis zum Morgen. Abendessen, Performances, Konzerte, Erscheinungen, Schlaf, vielleicht Träume. Mit Schlafsack und Zahnbürste bewaffnet zur Eroberung der Welt der Träume und der Nacht in einem fröhlichen kollektiven Ritual. Performances von Louis Sé, ein traumhaftes Dinner-Vortrag von Élodie Hervier, eine transdisziplinäre Kreation mit Noémie Griess, Julie Bugnard und Valérie Liengme, Musik von Paul Courlet, eine Hypnose-Sitzung und ein Erwachen bei Sonnenaufgang am See.",{"fr":1851,"en":1851,"de":1852},"Participant","Teilnehmer",{"fr":1854,"en":1855,"de":1856},"Direction artistique : Olivia Csiky Trnka","Artistic direction: Olivia Csiky Trnka","Künstlerische Leitung: Olivia Csiky Trnka",{"fr":1858,"en":1859,"de":1860},"Théâtre Le Pommier, Neuchâtel, mars 2023. Une nuit entière au théâtre.","Théâtre Le Pommier, Neuchâtel, March 2023. An entire night at the theater.","Théâtre Le Pommier, Neuchâtel, März 2023. Eine ganze Nacht im Theater.",{"fr":1862,"en":1871,"de":1872},{"Direction artistique":1863,"Performance":1864,"Repas-conférence":1865,"Interprète \u002F réveil à l'aube":1866,"Interprète":1867,"Musique":1868,"Hypnose":1869,"Participant":1870},"Olivia Csiky Trnka","Louis Sé","Élodie Hervier","Noémie Griess","Valérie Liengme","Paul Courlet","Adina Secretan","Charlie Bernath",{"Artistic direction":1863,"Performance":1864,"Dinner-lecture":1865,"Performer \u002F dawn awakening":1866,"Performer":1867,"Music":1868,"Hypnosis":1869,"Participant":1870},{"Künstlerische Leitung":1863,"Performance":1864,"Dinner-Vortrag":1865,"Performerin \u002F Erwachen bei Sonnenaufgang":1866,"Performerin":1867,"Musik":1868,"Hypnose":1869,"Teilnehmer":1870},[],[],{"id":1876,"name":1877,"description":1880,"role":1884,"direction":1885,"caption":1886,"cast":1890,"pressClippings":1894,"hyperlinks":1895},"lab-le-labo-off",{"fr":1878,"en":1879,"de":1879},"Le Labo OFF","The OFF Lab",{"fr":1881,"en":1882,"de":1883},"Chaque matin débute par une rencontre-débat avec le public. Celui-ci est invité à s’asseoir avec l’équipe pour se questionner sur la thématique du jour. La journée se termine par une représentation présentant le résultat du travail de recherche, d’expérimentation et de création du jour. 22 jours pour 22 créations singulières au format dramaturgique et scénographique nouveau à chaque fois. Collaboration : Sylvain Béland, Gaël Kamilindi, Perinne Biette, Sophie Martin-Achard, Walid van Boetzelaer \u002F Le Castrum.","Chaque matin débute par une rencontre-débat avec le public. Celui-ci est invité à s’asseoir avec l’équipe pour se questionner sur la thématique du jour. La journée se termine par une représentation présentant le résultat du travail de recherche, d’expérimentation et de création du jour. 22 jours pour 22 créations singulières au format dramaturgique et scénographique nouveau à chaque fois. Collaboration: Sylvain Béland, Gaël Kamilindi, Perinne Biette, Sophie Martin-Achard, Walid van Boetzelaer \u002F Le Castrum.","Chaque matin débute par une rencontre-débat avec le public. Celui-ci est invité à s’asseoir avec l’équipe pour se questionner sur la thématique du jour. La journée se termine par une représentation présentant le résultat du travail de recherche, d’expérimentation et de création du jour. 22 jours pour 22 créations singulières au format dramaturgique et scénographique nouveau à chaque fois. Kollaboration : Sylvain Béland, Gaël Kamilindi, Perinne Biette, Sophie Martin-Achard, Walid van Boetzelaer \u002F Le Castrum.",{"fr":771,"en":772,"de":773},{"fr":775,"en":775,"de":775},{"fr":1887,"en":1888,"de":1889},"The OFF Lab, recherche et création à Avignon","The OFF Lab, research and creation in Avignon","The OFF Lab, Forschung und Kreation in Avignon",{"fr":1891,"en":1892,"de":1893},{},{},{},[],[],{"id":1897,"name":1898,"description":1900,"role":1904,"direction":1908,"caption":1912,"cast":1916,"pressClippings":1923,"hyperlinks":1924},"saie-between-among-through",{"fr":1899,"en":1899,"de":1899},"사이에 (\u002Fsa:iːe\u002F) – Between, Among, Through",{"fr":1901,"en":1902,"de":1903},"Quelles sont les limites de la présence ? Depuis la Corée du Sud, le Canada et la Suisse, la chorégraphe Mimi Jeong, l'artiste visuel Changyeob Ok, la violoniste Jinjoo Cho et le metteur en scène Julien Brun ont enregistré et mené des expérimentations virtuelles depuis différents lieux et moments. A Paganini de Schnittke — un collage de fragments de l'original — devient le tissu conjonctif entre les artistes dans la spatiotemporalité de l'ici et maintenant. Écran, lumière, son et performeurs fonctionnent comme des dispositifs élargissant la compréhension de la présence.","What are the limits of presence? Participating from South Korea, Canada and Switzerland, choreographer Mimi Jeong, visual artist Changyeob Ok, violinist Jinjoo Cho and stage director Julien Brun recorded and conducted virtual experimentations from different places and times. Alfred Schnittke's A Paganini — a collage of fragments from the original — becomes the connective tissue between artists within the spatiotemporality of here and now. Screen, lighting, sound and performers function as devices expanding the understanding of presence. Remote performances challenge vitality and liveness.","Was sind die Grenzen der Präsenz? Von Südkorea, Kanada und der Schweiz aus haben Choreografin Mimi Jeong, bildender Künstler Changyeob Ok, Violinistin Jinjoo Cho und Regisseur Julien Brun virtuelle Experimente an verschiedenen Orten und zu verschiedenen Zeiten durchgeführt. Schnittkes A Paganini — eine Collage von Fragmenten des Originals — wird zum Bindegewebe zwischen den Künstlern in der Raumzeitlichkeit des Hier und Jetzt. Bildschirm, Licht, Klang und Performer fungieren als Geräte, die das Verständnis von Präsenz erweitern.",{"fr":1905,"en":1906,"de":1907},"Collaboration \u002F Montage vidéo","Collaboration \u002F Video editing","Kollaboration \u002F Videoschnitt",{"fr":1909,"en":1910,"de":1911},"Collaboration : Mimi Jeong, Changyeob Ok, Jinjoo Cho, Julien Brun","Collaboration: Mimi Jeong, Changyeob Ok, Jinjoo Cho, Julien Brun","Kollaboration: Mimi Jeong, Changyeob Ok, Jinjoo Cho, Julien Brun",{"fr":1913,"en":1914,"de":1915},"ZER01NE, Séoul, Corée du Sud, 2020","ZER01NE, Seoul, South Korea, 2020","ZER01NE, Seoul, Südkorea, 2020",{"fr":1917,"en":1921,"de":1922},{"Chorégraphie et danse":220,"Design d'installation et montage vidéo":1918,"Violon":1919,"Collaboration et montage vidéo":29,"Captation vidéo (Montréal)":1920,"Captation sonore (Montréal)":426,"Captation originale (Duo)":677},"Changyeob Ok","Jinjoo Cho","Samuel Olaechea",{"Choreography & dance":220,"Installation design & video editing":1918,"Violin":1919,"Collaboration & video editing":29,"Video recording (Montreal)":1920,"Sound recording (Montreal)":426,"Original footage (Duo)":677},{"Choreografie & Tanz":220,"Installationsdesign & Videoschnitt":1918,"Violine":1919,"Kollaboration & Videoschnitt":29,"Videoaufnahme (Montreal)":1920,"Tonaufnahme (Montreal)":426,"Originalaufnahmen (Duo)":677},[],[],{"id":1926,"name":1927,"description":1929,"role":1933,"direction":1935,"caption":1939,"cast":1942,"pressClippings":1951,"hyperlinks":1952},"last-inaction-heroes",{"fr":1928,"en":1928,"de":1928},"Last Inaction Heroes : L'Ordre du Canapé",{"fr":1930,"en":1931,"de":1932},"Tepid City, décembre 2024. La population de la cité aux trois collines n'a qu'un seul but : la recherche du bonheur. Sa sécurité est assurée par une superhéroïne légendaire qui veille sur la ville depuis des décennies. Jusqu'au jour où une menace nouvelle s'invite. Des méchants contre des gentils, des combats spectaculaires avec quelques dégâts collatéraux, du suspense et des effets spéciaux réalisés avec les moyens du bord, des marionnettes et des décors sur roulettes. Pourquoi le théâtre n'aurait-il pas droit à son univers de personnages populaires en collants ?","Tepid City, December 2024. The population of the three-hilled city has one goal: the pursuit of happiness. Its safety is ensured by a legendary superheroine who's watched over the city for decades. Until a new threat arrives. Villains against heroes, spectacular fights with collateral damage, suspense and special effects made with whatever's at hand, puppets and sets on wheels. Why shouldn't theater have its own universe of popular characters in tights?","Tepid City, Dezember 2024. Die Bevölkerung der Drei-Hügel-Stadt hat nur ein Ziel: das Streben nach Glück. Ihre Sicherheit gewährleistet eine legendäre Superheldin, die seit Jahrzehnten über die Stadt wacht. Bis eine neue Bedrohung auftaucht. Böse gegen Gute, spektakuläre Kämpfe mit Kollateralschäden, Spannung und Spezialeffekte aus dem, was gerade da ist, Marionetten und Kulissen auf Rädern. Warum sollte das Theater nicht auch sein eigenes Universum populärer Figuren in Strumpfhosen haben?",{"fr":1934,"en":73,"de":74},"Créateur lumière",{"fr":1936,"en":1937,"de":1938},"Conception et écriture : Sarah Frund et Yan Juillerat","Conception & writing: Sarah Frund & Yan Juillerat","Konzeption & Text: Sarah Frund & Yan Juillerat",{"fr":1940,"en":1940,"de":1941},"Théâtre de l'Oriental Vevey, Théâtre de l'Étincelle Genève, 2024–2025","Théâtre de l'Oriental Vevey, Théâtre de l'Étincelle Genf, 2024–2025",{"fr":1943,"en":1949,"de":1950},{"Conception, écriture et jeu":1944,"Jeu":1945,"Regard extérieur":1946,"Fabrication des marionnettes":1947,"Scénographie":1948,"Création lumière":29},"Yan Juillerat","Catia Machado","Emilie Bender","Maya Bringhen","Wendy Tokuoka",{"Conception, writing & performance":1944,"Performance":1945,"Outside eye":1946,"Puppet maker":1947,"Set design":1948,"Lighting design":29},{"Konzeption, Text & Spiel":1944,"Spiel":1945,"Externes Auge":1946,"Marionettenbau":1947,"Bühnenbild":1948,"Lichtdesign":29},[],[],{"id":1954,"name":1955,"description":1957,"role":1961,"direction":1962,"caption":1966,"cast":1970,"pressClippings":1984,"hyperlinks":1990},"madone",{"fr":1956,"en":1956,"de":1956},"Madone",{"fr":1958,"en":1959,"de":1960},"Et si la bonté était la clé de la survie de l'humanité ? Enfermés dans une boîte en liège sombre — bunker, ruine, intérieur d'une tête — sept personnages tentent de vivre ensemble, de rire, de s'aimer. À partir de la rencontre de Vassili Grossman avec La Madone Sixtine de Raphaël, la compagnie tresse une fable humaniste mêlant chant, danse et texte. Ces flâneurs cherchent la bonté, l'incarnent, la perdent et la retrouvent, s'émerveillant de chaque nouveauté avec la naïveté d'un enfant. Les murs de liège changent de visage selon les éclairages, enfermant et vivants à la fois.","What if kindness were the key to humanity's survival? Enclosed in a dark cork box — bunker, ruin, the inside of a head — seven characters try to live together, laugh, even love. Starting from Vassily Grossman's encounter with Raphael's Sistine Madonna, the company weaves a humanist fable mixing song, dance and text. These wanderers search for kindness, embody it, lose it, find it again, marveling at each novelty with a child's innocence. The cork walls change face with the lighting, confining yet alive.","Was, wenn Güte der Schlüssel zum Überleben der Menschheit wäre? Eingesperrt in einer dunklen Korkschachtel — Bunker, Ruine, das Innere eines Kopfes — versuchen sieben Figuren zusammenzuleben, zu lachen, sich sogar zu lieben. Ausgehend von Wassili Grossmans Begegnung mit Raffaels Sixtinischer Madonna webt die Kompanie eine humanistische Fabel aus Gesang, Tanz und Text. Diese Flaneure suchen die Güte, verkörpern sie, verlieren und finden sie wieder, staunend über jede Neuheit mit kindlicher Naivität. Die Korkwände verändern ihr Gesicht mit dem Licht.",{"fr":149,"en":150,"de":151},{"fr":1963,"en":1964,"de":1965},"Mise en scène : Delphine Lanza et Dorian Rossel \u002F Cie STT","Direction: Delphine Lanza & Dorian Rossel \u002F Cie STT","Regie: Delphine Lanza & Dorian Rossel \u002F Cie STT",{"fr":1967,"en":1968,"de":1969},"Théâtre Forum Meyrin + tournée Suisse et France, 2020–2021","Théâtre Forum Meyrin + Swiss and French tour, 2020–2021","Théâtre Forum Meyrin + Tournee Schweiz und Frankreich, 2020–2021",{"fr":1971,"en":1982,"de":1983},{"Mise en scène":1972,"Scénographie et conception lumière":29,"Jeu":1973,"Collaboration dramaturgique":1974,"Musique originale":1975,"Costumes":1976,"Direction technique":609,"Régie plateau":1977,"Peintre":1978,"Stagiaire scénographie et lumière":1979,"Assistanat":610,"Administration et logistique":1980,"Direction de production":1981},"Dorian Rossel & Delphine Lanza","Antonio Buil, Alenka Chenuz, Fabien Coquil, Giulia Crescenzi, Mimi Jeong, Delphine Lanza, Roberto Molo","Carine Corajoud, Karelle Ménine et Karim Kadjar","David Scrufari","Amandine Rutschmann","Alex Auer","Greg Wattebled","Maude Bovey","Johanne Pigelet","Bénédicte Brunet \u002F Daphné Bengoa",{"Directing":1972,"Set & lighting design":29,"On stage":1973,"Dramaturgical collaboration":1974,"Music":1975,"Costumes":1976,"Technical direction":609,"Stagecraft":1977,"Secenic painter":1978,"Set & lighting intern":1979,"Assistant":610,"Administration & logistics ":1980,"Production management":1981},{"Regie":1972,"Bühnenbild und Lichtgestaltung":29,"Darsteller":1973,"Dramaturgische Mitarbeit":1974,"Musik":1975,"Kostüme":1976,"Technische Leitung":609,"Bühnentechniker":1977,"Bühnenmahler":1978,"Bühnenbild- und Lichtgestaltungshospitant :":1979,"Assistent":610,"Verwaltung & Logistik":1980,"Produktionsleitung":1981},[1985],{"source":1986,"quote":1987,"projectId":1954},"Le Temps (Marie-Pierre Genecand)",{"fr":1988,"en":1989,"de":138},"Selon les éclairages du talentueux Julien Brun, qui signe aussi la scénographie, ces murs de liège changent de visage.","According to the lighting design by the talented Julien Brun, who also designed the set, these cork walls change face.",[],{"id":1992,"name":1993,"description":1997,"role":2001,"direction":2002,"caption":2006,"cast":2008,"pressClippings":2025,"hyperlinks":2035},"ennemi-du-peuple",{"fr":1994,"en":1995,"de":1996},"Un ennemi du peuple","An Enemy of the People","Ein Volksfeind",{"fr":1998,"en":1999,"de":2000},"De l'eau coule sur la scène, inexorable, boueuse et sale. Des averses régulières inondent des dizaines de cartons posés au sol et les désagrègent en une boue poisseuse. Cent quarante chaises jouent aussi leur partition — d'abord empilées, puis en rangées, puis jetées pêle-mêle en bûcher des vanités. De la matière pourrie, jaune et rouge, sort encore des tuyaux. Le docteur Stockmann découvre que les eaux des bains thermaux sont polluées. Lanceur d'alerte avant l'heure, il se met la ville à dos. Ibsen pousse l'être humain dans de tels retranchements que la situation finit par exploser.","Water flows on stage, inexorable, muddy and dirty. Regular downpours flood dozens of cardboard boxes on the floor, disintegrating them into sticky mud. A hundred and forty chairs play their part too — first stacked, then in rows, then thrown pell-mell into a bonfire of vanities. Rotting matter, yellow and red, still comes out of the pipes. Doctor Stockmann discovers the thermal baths are polluted. Whistleblower before his time, he turns the whole city against himself. Ibsen pushes humans so far the situation explodes.","Wasser fließt auf der Bühne, unaufhaltsam, schlammig und schmutzig. Regelmäßige Regengüsse überfluten Dutzende Kartons auf dem Boden und zersetzen sie zu klebrigem Schlamm. Hundertvier­zig Stühle spielen ebenfalls ihre Rolle — erst gestapelt, dann in Reihen, dann wild durcheinander zu einem Scheiterhaufen der Eitelkeiten geworfen. Verfaulte Materie, gelb und rot, quillt noch aus den Rohren. Doktor Stockmann entdeckt, dass die Thermalquellen verschmutzt sind. Whistleblower vor seiner Zeit, bringt er die ganze Stadt gegen sich auf. Ibsen treibt den Menschen so weit, dass die Situation explodiert.",{"fr":383,"en":384,"de":385},{"fr":2003,"en":2004,"de":2005},"Mise en scène et traduction : Eric Devanthéry","Direction & translation: Eric Devanthéry","Regie & Übersetzung: Eric Devanthéry",{"fr":2007,"en":2007,"de":2007},"Théâtre de l'Orangerie, Comédie de Genève, Le Reflet Vevey, TBB Yverdon, 2021–2023",{"fr":2009,"en":2022,"de":2023},{"Mise en scène et traduction":2010,"Interprète":2011,"Interprète (en alternance)":2012,"Assistante mise en scène":2013,"Scénographie":29,"Assistant et consultant scénographie":2014,"Effets spéciaux et fumées":2015,"Lumière":2016,"Costumes":2017,"Musique":2018,"Mixage musique":2019,"Photographies":2020,"Administration":2021},"Eric Devanthéry","David Marchetto","Adam Rivolta","Tamara Fischer","Hugo Jamain","Laurent Boulanger","Philippe Maeder","Valentine Savary","Cyril Cyril","David Chesnel","Magali Dougados","France Jaton",{"Direction & translation":2010,"Performer":2011,"Performer (alternating)":2012,"Assistant director":2013,"Set design":29,"Set design assistant & consultant":2014,"Special effects & smoke":2015,"Lighting design":2016,"Costumes":2017,"Music":2018,"Music mixing":2019,"Photography":2020,"Administration":2021},{"Regie & Übersetzung":2010,"Performer":2011,"Performerin":2024,"Performer (alternierend)":2012,"Regieassistentin":2013,"Bühnenbild":29,"Bühnenbildassistent & Berater":2014,"Spezialeffekte & Nebel":2015,"Lichtdesign":2016,"Kostüme":2017,"Musik":2018,"Musikmischung":2019,"Fotografie":2020,"Administration":2021},"Léonie Keller",[2026,2031],{"source":2027,"quote":2028,"projectId":1992},"La Pépinière",{"fr":2029,"en":2030,"de":138},"Un ennemi du peuple, c'est un petit bijou d'écriture signé Henrik Ibsen. La mise en scène d'Eric Devanthéry, l'humour grinçant qui s'en dégage tout le long, la scénographie de Julien Brun et la performance des comédien·ne·s se mettent au service de ce texte brillant, pour donner un des spectacles les plus marquants qu'il m'ait été donné de voir. Tout bonnement époustouflant.","An Enemy of the People is a gem of writing by Henrik Ibsen. Eric Devanthéry's direction, its biting humor throughout, Julien Brun's set design and the performers' work serve this brilliant text to deliver one of the most striking shows I've ever seen. Simply staggering.",{"source":1986,"quote":2032,"projectId":1992},{"fr":2033,"en":2034,"de":138},"Il y a LE décor. Une scénographie impressionnante où des averses régulières inondent des dizaines de cartons posés au sol. […] Le spectateur ressent dans ses os le côté souvent révoltant et inégal du débat social.","There's THE set. An impressive scenography where regular downpours flood dozens of cardboard boxes on the floor. […] The viewer feels in his bones the often revolting and unequal side of social debate.",[],{"id":2037,"name":2038,"description":2042,"role":2046,"direction":2047,"caption":2051,"cast":2054,"pressClippings":2065,"hyperlinks":2066},"lettres-chambre",{"fr":2039,"en":2040,"de":2041},"Lettres de la chambre","Letters from the room","Briefe von Zimmer",{"fr":2043,"en":2044,"de":2045},"Elly — artiste, épouse et mère — revoit un ancien amant. Troublée, elle perd le contrôle. Cette rencontre inattendue devient le prétexte pour questionner, à travers des lettres qu'elle n'enverra pas, les multiples facettes de sa personnalité : liberté dans le couple, dépendance affective, sexualité et dimension mystique, méconnaissance du corps féminin. Dans une langue orale et sensuelle et une scénographie intimiste, Pascale Güdel partage ces questionnements, portés par l'univers folk-rock-contemporain de Jessana Nemitz. D'après le roman Déployer de Douna Loup.","Elly — artist, wife and mother — runs into a former lover. She loses control. This unexpected encounter becomes a pretext to question, through letters she'll never send, every facet of her personality: freedom within a couple, emotional dependence, sexuality and its mystical dimension, women's lack of knowledge of their own bodies. In a sensual, oral language and an intimate set, Pascale Güdel shares these questions, carried by Jessana Nemitz's folk-rock-contemporary world. Based on Douna Loup's novel Déployer.","Elly — Künstlerin, Ehefrau und Mutter — trifft einen ehemaligen Liebhaber wieder. Sie verliert die Kontrolle. Diese unerwartete Begegnung wird zum Anlass, durch Briefe, die sie nie abschicken wird, alle Facetten ihrer Persönlichkeit zu hinterfragen: Freiheit in der Paarbeziehung, emotionale Abhängigkeit, Sexualität und ihre mystische Dimension, die mangelnde Kenntnis des eigenen Körpers. In einer sinnlichen, mündlichen Sprache und einer intimen Bühne teilt Pascale Güdel diese Fragen, getragen von Jessana Nemitz' Folk-Rock-Welt. Nach dem Roman Déployer von Douna Loup.",{"fr":72,"en":73,"de":74},{"fr":2048,"en":2049,"de":2050},"Texte : Douna Loup. Conception et jeu : Pascale Güdel","Text: Douna Loup. Conception & performance: Pascale Güdel","Text: Douna Loup. 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